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Marie de France's Poetics of Silence: The Implications for a Feminine Translatio

Published online by Cambridge University Press:  26 February 2021

Michelle A. Freeman
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Abstract

The Prologue to the twelfth-century collection of French narrative poems called the Lais presents a woman poet, now known as Marie de France, who appears to be preoccupied with the significance of origins and who takes a bold initiative while remaining elusive about the exact nature of her enterprise. A close reading of two of these tales—Lastic and Chievrefoil-helps clarify the problematics of Marie's portrayal by showing that it rests on a deliberate poetics of silence. The poet-narrator stresses not what is heroic, public, and patriarchal; rather, she creates an alternative type of lineage rooted in silence, secrecy, and, above all, in a private exchange between two who love. The gradual revelation of the sign and its meaning, achieved by successive attempts to gloser 10 lettre, are intimately connected both to Marie's text and to her poetic persona: to gloss the one is to name the other.

Type
Research Article
Information
PMLA , Volume 99 , Issue 5 , October 1984 , pp. 860 - 883
Copyright
Copyright © 1984 by The Modern Language Association of America

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