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Published online by Cambridge University Press: 23 October 2020
This essay argues that epic, far from being a dead genre, ranges readily across formal and geographic boundaries and that the terms America and epic have defined each other from the Renaissance forward. Drawing on a range of case studies from Jamestown to Kentucky, I examine the ways in which epic travels through translation, exile, ethnology, and prophecy. While I focus on the United States and the colonies that would eventually constitute it, I argue that American literature was an international endeavor before it was ever a national one and that the role epic played in that internationalism prefigures and interrogates the Goethean Weltliteratur ideal dominating current discussions regarding world literature. In response to the difficulties that theory creates in discussing the development of both genre and world literature, I advocate a return to the archive to give theoretical arguments a more inductive grounding.