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Jonsonian Comedy and the Discovery of the Social Self

Published online by Cambridge University Press:  23 October 2020

Lawrence Danson
Lawrence Danson*
Affiliation:
Princeton University Princeton, New Jersey
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Abstract

The self in Jonson's comedies, like the self described by modern sociologists, is a reflection of other reflections, created by the society it creates. As Milgram's experiment on obedience to authority seems to show, the social self is radically contingent. Therefore the anagnorisis in Jonson's comedies is a catastrophe in more than the technical sense; it is the discovery of a self that cannot bear its own exposure. By contrast, the heroes and heroines of Shakespeare's romantic comedies discover themselves in relation to a nurturing family and a mature sexual family. Theirs is a psychological self. In the “comical satires,” Jonson encounters the problem of finding appropriate endings for plays whose characters can achieve no satisfying self-discovery. In Volpone the protagonist acts like an experimental social psychologist, exposing the pliability of the social self. The catastrophe shows that Volpone's own “substance” is only a reflection of his world's insubstantiality.

Type
Research Article
Information
PMLA , Volume 99 , Issue 2 , March 1984 , pp. 179 - 193
Copyright
Copyright © Modern Language Association of America, 1984

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