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Published online by Cambridge University Press: 02 December 2020
In the beginning was the Word . . .
The writings of Joyce show a progression from an early interest in words through a mature use of them to the excessive fondness of old age. In spite of variation from one work to another, the development is not always consistent and steady; sometimes there is a reversion to a former phase, sometimes an advance into a future phase. The direction, however, is unmistakable.
1 Budgen, Frank, James Joyce and the Making of ULYSSES, (New York, 1934), p. 57.— Cf. Dubliners (New York, 1926), Introduction by Padraic Colum, pp. viii–ix.Google Scholar
2 New York, 1928.
3 New York, 1934.
4 Portrait, p. 2.
5 Seân O'Faolâin, “The Cruelty and Beauty of Words,” Virginia Quarterly Review, iv (April, 1928), 221.
6 Portrait, p. 3.
7 Ibid., p. 6.
8 Ibid., p. 11.
8a Ibid., p. 60.
9 Dubliners, p. 7.
10 Portrait, pp. 126–127.
11 Ibid., p. 176.
12 Ulysses, p. 5.
13 Portrait, p. 191.
14 Ibid., pp. 193–194.
15 Ibid., pp. 207–208.
16 Ibid., p. 209.
17 Ibid., p. 221.
18 Work in Progress, in book form, has appeared in the following “Fragments“: Anna Lima Plurabelle, London, 1930; Haveth Childers Everywhere, London, 1931; Two Tales of Shem and Shaun, London, 1932; The Mime of Mick, Nick and the Maggies, London, 1934.
19 Ulysses, p. 85.
20 Othello, i. i. 13.
21 Dubliners, p. 151.
22 Ulysses, p. 68.
23 Ibid., p. 86.
24 Ibid., p. 239.
25 Ibid., p. 245.
26 Cf. E. A. Abbott, A Shakespearian Grammar (London, 1874), p. 5.
27 Ulysses, p. 47.
28 Budgen, p. 54.
29 Stuart, Gilbert, James Joyce's ULYSSES (London, 1930), p. 39.
30 Ulysses, p. 122.
31 Ibid., p. 115.
32 Ibid., p. 116.
33 Ibid., p. 48.
34 Budgen, p. 55.
35 Ulysses, p. 388.
36 Ibid., p. 55.
37 Ibid., p. 112.
38 Ibid., pp. 535, 536, 539.
39 Ibid., p. 85.
40 Ibid., pp. 166–167.
41 Ibid., p. 175.
42 Ibid., p. 271.
43 Ibid., p. 273.
44 Plurabelle, Anna Livia, Fragment of Work in Progress (London, 1930), p. 32.Google Scholar
45 “From a Banned Writer to a Banned Singer,” Hound & Horn, ii (July, 1932), 543.
46 Portrait, pp. 67–68.
47 Huxley, Aldous, editor, The Letters of D. H. Lawrence (New York, 1932), p. 750.Google Scholar
48 Ulysses, p. 120.
49 Budgen, p. 205.
50 Slingsby, G. V., “Writes a Common Reader,” Our Exagmination Round his Fadification for Incamination of Work in Progress, Paris, 1929, p. 189.Google Scholar
51 Gilbert, p. 205.