Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-22T15:05:30.357Z Has data issue: false hasContentIssue false
  • English
  • Français

In Memoriam: Assia Djebar, 1936-2015

Published online by Cambridge University Press:  23 October 2020

Anne Donadey
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Theories and Methodologies
Information
PMLA , Volume 131 , Issue 1 , January 2016 , pp. 147 - 152
Copyright
Copyright © Modern Language Association of America, 2016

References

Works Cited

Abdo, Diya, and Bobroff, Maria. “Don't Claim to ‘Speak for’ Algerian Women: Reading Djebar across Disciplinary Borders.” Approaches to Teaching the Works of Assia Djebar. Ed. Anne Donadey. New York: MLA, forthcoming.Google Scholar
Boutaghou, Maya. “Le style en arabesque d'Assia Djebar.” French Studies 67.2 (2013): 216–31. Print.Google Scholar
Boutaghou, Maya “Writing in Bi-langue.” Approaches to Teaching the Works of Assia Djebar. Ed. Anne Donadey. New York: MLA, forthcoming.Google Scholar
Christian, Barbara. “The Race for Theory.” 1989. Making Face, Making Soul / Haciendo Caras: Creative and Critical Perspectives by Feminists of Color. Ed. Anzaldúa, Gloria. San Francisco: Aunt Lute, 1990. 335–45. Print.Google Scholar
Djebar, Assia. L'amour, la fantasia. 1985. Paris: Michel, 1995. Print.Google Scholar
Djebar, Assia “Entretien avec Assia Djebar, écrivain algérien.” Interview by Mildred Mortimer. Research in African Literatures 19.2 (1988): 197–205. Print.Google Scholar
Djebar, Assia Fantasia: An Algerian Cavalcade. Trans. and introd. Blair, Dorothy S. London: Quartet, 1989. Print.Google Scholar
Djebar, Assia Femmes d'Alger dans leur appartement. Paris: Femmes, 1980. Print.Google Scholar
Djebar, Assia Nulle part dans la maison de mon père. Paris: Fayard, 2007. Print.Google Scholar
Djebar, Assia Women of Algiers in Their Apartment. Trans. Jager, Marjolijn de. Charlottesville: Caraf; U of Virginia P, 1992. Print.Google Scholar
Donadey, Anne. Recasting Postcolonialism: Women Writing between Worlds. Portsmouth: Heinemann, 2001. Print.Google Scholar
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988. Print.Google Scholar
Lionnet, Françoise. “Reframing Baudelaire: Literary History, Biography, Postcolonial Theory, and Vernacular Languages.” French Cultural Studies: Criticism at the Crossroads. Ed. Hir, Marie-Pierre Le and Strand, Dana. Albany: State U of New York P, 2000. 153–84. Print.Google Scholar
Rosello, Mireille. France and the Maghreb: Performative Encounters. Gainesville: UP of Florida, 2005. Print.Google Scholar
Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” 1985. Colonial Discourse and Post-colonial Theory: A Reader. Ed. Williams, Patrick and Chrisman, Laura. New York: Columbia UP, 1994. 66–111. Print.Google Scholar
Spivak, Gayatri Chakravorty A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Cambridge: Harvard UP, 1999. Print.CrossRefGoogle Scholar
Spivak, Gayatri Chakravorty “Three Women's Texts and a Critique of Imperialism.” Feminisms: An Anthology of Literary Theory and Criticism. Ed. Warhol, Robyn R. and Herndl, Diane Price. New Brunswick: Rutgers UP, 1991. 798–814. Print.CrossRefGoogle Scholar
Strand, Dana. “Assia Djebar's La femme sans sépulture as Postcolonial Primer.” Contemporary French and Francophone Studies 13.3 (2009): 339–47. Print.Google Scholar
Weber-Fève, Stacey. “Assia Djebar as Film Theorist in ‘Touchia: Ouverture’ and Ces voix qui m'assiègent.” French Review 81.3 (2008): 542–50. Print.Google Scholar
Weltman-Aron, Brigitte. Algerian Imprints: Ethical Space in the Works of Assia Djebar and Hélène Cixous. New York: Columbia UP, 2015. Print.CrossRefGoogle Scholar
Zimra, Clarisse. “Disorienting the Subject in Djebar's L'amour, la fantasia.” Yale French Studies 87 (1995): 149–70. Print.Google Scholar