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Published online by Cambridge University Press: 02 December 2020
Henrik Ibsen in his Peer Gynt has created a minor figure of absorbing interest—the Button-moulder—who enbodies the poet's ideas regarding immortality. He appears grim and macabre as, with his huge ladle, he comes to fetch Peer's soul, yet there is a sort of Mephistophelian humor in his tone:
Note 1 in page 1101 P. 235. Page references to Peer Gynt are to Archer's translation (New York, 1908).
Note 2 in page 1101 P. G. La Chesnais, Henrik Ibsen, Œuvres Complètes (Paris, no date—appeared 1938), viii, 64.
Note 3 in page 1101 Halvdan Koht, The Life of Ibsen (New York, 1931), ii, 31.
Note 4 in page 1102 Henrik Ibsen paa Ischia (Copenhagen, 1908), p. 212.
Note 5 in page 1102 A Commentary on Henrik Ibsen's Peer Gynt (The Hague, 1917), pp. 313 ff. and much more explicitly, in an article, “The Caprices in Henrik Ibsen's Peer Gynt,” Edda, vii (1917), 258–285 (page citations refer to this article).
Note 6 in page 1103 The History of the Scandinavian Literatures, Various authors (New York, 1938), pp. 39 f.
Note 7 in page 1103 The Life of Ibsen (New York, 1931), ii, 36 f.
Note 8 in page 1104 Erinnerungen an Henrik Ibsen (Berlin: Fischer, 1907), pp. 66 and 73. See also A. Le Roy Andrews in JEGP, xiii, 238–246.
Note 9 in page 1104 Op. cit., ii. 83.
Note 10 in page 1104 Letters of Henrik Ibsen, Translated by John N. Lourvik and Mary Morison (New York, 1905), p. 208.
Note 11 in page 1105 Bergsoe, op. cit., p. 163.
Note 12 in page 1106 Faust, The Second Part (Boston, 1871), p. 431 (Note No. 126).
Note 13 in page 1107 Goethe's Stellung, zu Tod und Unsterblichkeit, Goethe Gesellschaft (Weimar, 1932), pp. 283 ff.
Note 14 in page 1107 Ibid., p. 285. Koch here refers the reader to Goethe's Werke i, 48, 109 f., Ueber die Verherrlichung der Helena.