Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-22T14:08:14.007Z Has data issue: false hasContentIssue false

Fugitive Lyric: The Rhymes of the Canting Crew

Published online by Cambridge University Press:  23 October 2020

Abstract

This essay examines the correlation between lyric obscurity and lyric communicability—that is, the capacity of lyric poetry to serve, even in the absence of understanding (for certain communities of readers), as a matrix of social and cultural cohesion. The essay takes up this question by examining the contours of a little-known vernacular tradition in poetry and by considering the correspondences, in a limited sense, between slang and poetry. Specifically, the essay examines the permutations of the so-called canting tradition (lyrics written in the jargon of the criminal underworld) and its relation to the dominant poetic tradition.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Baudelaire, Charles. “Le crépuscule du soir.” Les fleurs du mal. Ed. Pichois, Claude. Paris: Gallimard, 1972. 128–29.Google Scholar
Baudelaire, Charles. “Twilight: Evening.” Flowers of Evil. Trans. Howard, Richard. Boston: Godine, 1982. 99100.Google Scholar
Baum, Paull F., ed. Anglo-Saxon Riddles of the Exeter Book. Durham: Duke UP, 1963.Google Scholar
Beier, Lee. “Anti-language or Jargon: Canting in the English Underworld in the Sixteenth and Seventeenth Centuries.” Languages and Jargons. Ed. Burke, Peter and Porter, Roy. Cambridge, Eng.: Polity, 1995. 64101.Google Scholar
Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. London: Verso, 1970.Google Scholar
Blanchot, Maurice. “The Song of the Sirens.” The Gaze of Orpheus. Trans. Davis, Lydia. Barrytown: Station Hill, 1981.Google Scholar
“Cant.” Def. sb3 4a. The Oxford English Dictionary. 2nd ed. 1989.Google Scholar
Chaucer, Geoffrey. The Canterbury Tales. The Works of Geoffrey Chaucer. Ed. Robinson, F. N. 2nd ed. Boston: Houghton, 1961.Google Scholar
Copland, Robert. The Hye-way to the Spyttel-house. London, 1536.Google Scholar
Dobbie, Dobbie Elliott Van. The Anglo-Saxon Minor Poems. New York: Columbia UP, 1942.Google Scholar
Faraone, Christopher. Ancient Greek Love Magic. Cambridge: Harvard UP, 1999.Google Scholar
Farmer, Johns S., ed. Musa Pedestris: Three Centuries of Canting Songs and Slang Rhymes. London, 1896.Google Scholar
Franklyn, Julian. A Dictionary of Rhyming Slang. London: Routledge, 1960.Google Scholar
Gay, John. The Beggar's Opera. Ed. Edgar, V. Roberts. Lincoln: U of Nebraska P, 1969.Google Scholar
Gay, John. The Mohocks. The Plays of John Gay. Vol. 1. London: Chapman, 1923.Google Scholar
Groom, Nick. The Forger's Shadow. London: Picador, 2002.Google Scholar
Haver, William. The Body of This Death. Stanford: Stanford UP, 1996.Google Scholar
Hurston, Zora Neale. “Characteristics of Negro Expression.” Folklore, Memoirs, and Other Writings. Ed. Cheryl, A. Wall. New York: Lib. of Amer., 1995.Google Scholar
“Jargon.” Def. sb1 1. The Oxford English Dictionary. 2nd ed. 1989.Google Scholar
Mother Goose's Melody; or, Sonnets for the Cradle. London: Newman, 1765.Google Scholar
Norton Anthology of Poetry. Ed. Ferguson, Margaret, Salter, Mary, and Stallworthy, Jon. 4th ed. New York: Norton, 1996.Google Scholar
Parker, George. Life's Painter of Variegated Characters in Public and Private Life. London, 1789.Google Scholar
Partridge, Eric. Slang, Today and Yesterday. New York: Macmillan, 1960.Google Scholar
Paulin, Tom. The Faber Book of Vernacular Verse. London: Faber, 1990.Google Scholar
“Queer.” The Oxford English Dictionary. 2nd ed. 1989.Google Scholar
Ricco, John Paul. The Logic of the Lure. Chicago: U of Chicago P, 2002.Google Scholar
Scott, Tom. The Shorter Collected Poems of Tom Scott. London: Chapman, 1993.Google Scholar
Tiffany, Daniel. “Lyric Substance: On Riddles, Materialism, and Poetic Obscurity.” Critical Inquiry 28.2 (2001): 7298.CrossRefGoogle Scholar
Tucker, Herbert F. Introduction. Anonymity. Spec. issue of New Literary History 33.2 (2002): iv-vi.Google Scholar
Villon, François. Ballades en jargon. Ed. Lanly, Andre. Paris: Champion, 1971.Google Scholar
Villon, François. Complete Poems. Trans. Sargent-Baur, Barbara N. Toronto: U of Toronto P, 1994.Google Scholar
Whitman, Walt. “Slang in America.” Complete Poetry and Prose. Ed. Kaplin, Justin. New York: Lib. of Amer., 1982.Google Scholar
Woodbridge, Linda. Vagrancy, Homelessness, and EnglishGoogle Scholar
Renaissance Literature. Chicago: U of Illinois P, 2001.Google Scholar
Woolf, Virginia. “Anon.” Twentieth Century Literature 25 (1979): 382–98.Google Scholar