Of the fourteen translations of Ferdinand Oyono's une vie de boy published to date, the Vietnamese translation, Đới Làm bồi, dates last, despite Vietnam and Cameroon's shared past under French colonialism. Nguyễn Như đat, the novel's Vietnamese translator, had anticipated that his version, published in 1997, would not find much of a market. The translator's pessimism was warranted, since the Vietnam of the late 1990s drastically differed from the two Vietnams of 1956, when Oyono's novel was originally published. Partitioned after the 1954 Geneva Accords and fighting against each other in the Second Indochina War, the Democratic Republic of Vietnam in the north and the Republic of Vietnam in the south were unified at the war's end, in 1975, under a socialist government. But since 1986 Vietnam has been engaged in the capitalist world market, albeit under the banner of socialism. Given this context of market socialism, the Vietnamese translation of Oyono's anticolonial novel seems to have lagged temporally: it was published at a time when literary translations in Vietnam began trending away from anticolonialism and toward, for example, Raymond Carver's minimalism, Haruki Murakami's surreal handling of alienation, and, more recently, Vladimir Nabokov's perversely defamiliarizing style.