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Djuna Barnes and the Geriatric Avant-Garde

Published online by Cambridge University Press:  23 October 2020

Scott Herring
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Abstract

Though her publications were slight after she permanently moved to Greenwich Village, in New York City, in 1940, Djuna Barnes labored over scores of literary and nonliterary typescript drafts from the 1940s to the 1980s. This unpublished artwork constitutes a geriatric avant-garde that deepened her earlier investments in modernist aesthetics. Archived documents record the elderly writer performing the principles of high modernism—innovation, experimentalism, and novelty—across an unprecedented array of genres, such as the poem, the pharmacy order, the grocery list, the medicine regimen, the memo, and personal correspondence. This article reassesses gerontophobic depictions of Barnes as an aged recluse who lived a creatively fruitless late life. The underex-plored works of her senior years are a unique version of what Eve Kosofsky Sedgwick calls “a senile sublime.”

Type
Research Article
Information
PMLA , Volume 130 , Issue 1 , January 2015 , pp. 69 - 91
Copyright
Copyright © Modern Language Association of America, 2015

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