Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-22T14:46:49.341Z Has data issue: false hasContentIssue false

Discourse and the Problem of Closure in the Canterbury Tales

Published online by Cambridge University Press:  23 October 2020

Abstract

Critical restiveness with Chaucer's “unsatisfactory” endings points to one of his most profound strategies. In the Canterbury Tales Chaucer finds at least a dozen ways to ignore, skirt, transcend, or even anticipate structural closure in favor of an engagement between the narrative and its responding audience that fundamentally works against closure. By repeatedly subverting conventional closure, he turns our attention to the dynamics of discourse as social interaction. He creates in the Canterbury Tales a copia of the human motives—social, psychological, or political—that generate communication and misunderstanding. Chaucer's sense of closure casts light on the narrative frame and on the so-called Retraction. The subversion of conventional closure, instead of undermining the text, often enriches it, deeply characterizing his whole attitude toward discourse and toward knowledge. In Chaucer's epistemology nothing is ever complete.

Type
Cluster on Chaucer
Information
PMLA , Volume 107 , Issue 5 , October 1992 , pp. 1157 - 1167
Copyright
Copyright © Modern Language Association of America, 1992

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Baldwin, Ralph. The Unity of the Canterbury Tales. Vol. 5 of Anglistica. Copenhagen: Rosenkilde, 1955.Google Scholar
Benson, C. David. Chaucer's Drama of Style: Poetic Variety and Contrast in the Canterbury Tales. Chapel Hill: U of North Carolina P, 1986.Google Scholar
Boccaccio, Giovanni. The Decameron. Trans. Musa, Mark and Bondanella, Peter. New York: Norton, 1982.Google Scholar
Boitani, Piero. Chaucer and the Imaginary World of Fame. Cambridge: Cambridge UP, 1984.Google Scholar
Brewer, Derek. Chaucer: The Poet as Storyteller. London: Macmillan, 1984.CrossRefGoogle Scholar
Bronson, Bertrand. “Chaucer's Art in Relation to His Audience.” Five Studies in Literature. University of California Publications in English 8.1. Berkeley: U of California P, 1940.Google Scholar
Burlin, Robert B. Chaucerian Fiction. Princeton: Princeton UP, 1977.CrossRefGoogle Scholar
Chaucer, Geoffrey. The Riverside Chaucer. Ed. Benson, Larry D. 3rd ed. Boston: Houghton, 1987.Google Scholar
Cooper, Helen. The Structure of the Canterbury Tales. Athens: U of Georgia P, 1984.Google Scholar
Crosby, Ruth. “Chaucer and the Custom of Oral Delivery.” Speculum 13 (1938): 413–41.CrossRefGoogle Scholar
Alighieri, Dante. The Convivio. Trans. Wicksteed, Philip H. London: Dent, 1931.Google Scholar
Dinshaw, Carolyn. Chaucer's Sexual Poetics. Madison: U of Wisconsin P, 1989.Google Scholar
Faral, Edmond. Les arts poetiques du XII et du XIII siecle. Paris: Champion, 1924.Google Scholar
Fromm, Erich. Man for Himself. New York: Rinehart, 1947.Google Scholar
Gadamer, Hans-Georg. Truth and Method. New York: Crossroads, 1985.Google Scholar
Geoffrey of Vinsauf. The New Poetics. Trans. Jane Baltzell Kopp. Three Medieval Rhetorical Arts. Ed. Murphy, James J. Berkeley: U of California P, 1971. 27108.Google Scholar
Grudin, Michaela P.Chaucer's Manciple's Tale and the Poetics of Guile.” Chaucer Review 25 (1991): 329–32.Google Scholar
Hieatt, Constance B., ed. The Miller's Tale. New York: U of Western Ontario, 1970.Google Scholar
Howard, Donald. The Idea of the Canterbury Tales. Berkeley: U of California P, 1976.Google Scholar
Hult, David. “Editor's Preface.” Concepts of Closure. Yale French Studies 67 (1984): iiivi.Google Scholar
Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins UP, 1978.Google Scholar
Jauss, Hans Robert. Aesthetic Experience and Literary Hermeneutics. Trans. Shaw, Michael. Theory and History of Literature 3. Minneapolis: U of Minnesota P, 1982.Google Scholar
Jordan, Robert M. Chaucer's Poetics and the Modern Reader. Berkeley: U of California P, 1987.CrossRefGoogle Scholar
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford UP, 1967.Google Scholar
Kittredge, George Lyman. Chaucer and His Poetry. Cambridge: Harvard UP, 1915.Google Scholar
Kolve, V. A. Chaucer and the Imagery of Narrative: The First Five Canterbury Tales. Stanford: Stanford UP, 1984.Google Scholar
Martin, Wallace. Recent Theories of Narrative. Ithaca: Cornell UP, 1986.Google Scholar
Mehl, Dieter. “The Audience of Chaucer's Troilus and Criseyde.” Chaucer and Middle English Studies in Honor of Rossell Hope Robbins. Ed. Rowland, B. London: Unwin, 1974. 173–17.Google Scholar
Middleton, Anne. “The Idea of Public Poetry in the Reign of Richard II.” Speculum 53 (1978): 94114.CrossRefGoogle Scholar
Miller, D. A. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton: U of Princeton P, 1981.Google Scholar
Miller, J. Hillis. “Narrative and History.” ELH 41 (1974): 455–45.CrossRefGoogle Scholar
Muscatine, Charles. Chaucer and the French Tradition: A Study in Style and Meaning. Berkeley: U of California P, 1957.Google Scholar
Ong, Walter J. Orality and Literacy: The Technologizing of the Word. London: Methuen, 1982.CrossRefGoogle Scholar
Ong, Walter J. Rhetoric, Romance, and Technology. Cornell: Cornell UP, 1971.Google Scholar
Ong, Walter J.The Writer's Audience Is Always a Fiction.” PMLA 90 (1975): 921.CrossRefGoogle Scholar
Patterson, Lee. “The Parson's Tale and the Quitting of the Canterbury Tales.” Traditio 34 (1978): 331–33.CrossRefGoogle Scholar
Pearsall, Derek. The Canterbury Tales. London: Allen, 1985.Google Scholar
Pearsall, Derek. “The Troilus Frontispiece and Chaucer's Audience.” Yearbook of English Studies 1 (1977): 6874.CrossRefGoogle Scholar
Petrarch, Francis. “Letter XVII, 3, to Giovanni Boccaccio.” Chaucer: Sources and Backgrounds. Ed. Miller, Robert P. New York: Oxford UP, 1977. 137–13.Google Scholar
Reiss, Edmund. “Chaucer and His Audience.” Chaucer Review 14 (1980): 390402.Google Scholar
Ridley, Florence. “The State of Chaucer Studies: A Brief Survey.” Studies in the Age of Chaucer 1 (1979): 316.CrossRefGoogle Scholar
Rosenberg, Bruce A. “The Contrary Tales of the Second Nun and the Canon's Yeoman.” Chaucer Review 2 (1968): 278–27.Google Scholar
Rowe, Donald W. Through Nature to Eternity: Chaucer's Legend of Good Women. Lincoln: U of Nebraska P, 1988.Google Scholar
Salter, Elizabeth. Fourteenth-Century English Poetry: Contexts and Readings. Oxford: Oxford UP, 1983.Google Scholar
Sklute, Larry. Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry. Columbus: Ohio State UP, 1984.Google Scholar
Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago: U of Chicago P, 1968.Google Scholar
Strohm, Paul. “Chaucer's Audience.” Literature and History 5 (1977): 2641.Google Scholar
Strohm, Paul. “Chaucer's Audience(s): Fictional, Implied, Intended, Actual.” Chaucer Review 18 (1983): 137–13.Google Scholar
Strohm, Paul. “Form and Social Statement in Confessio amantis and the Canterbury Tales.” Studies in the Age of Chaucer 1 (1979): 1740.CrossRefGoogle Scholar
Strohm, Paul. Social Chaucer. Cambridge: Harvard UP, 1989. Wasserman, Julian N., and Robert J. Blanch, eds. Chaucer in the Eighties. Syracuse: Syracuse UP, 1986.Google Scholar
Wilson, W. Daniel. “Readers in Texts.” PMLA 96 (1981): 848–84.CrossRefGoogle Scholar
Windeatt, Barry. “Literary Structures in Chaucer.” The Cambridge Chaucer Companion. Ed. Boitani, Piero and Mann, Jill. Cambridge: Cambridge UP, 1986.Google Scholar
Winnett, Susan. “Coming Unstrung: Women, Men, Narrative, and Principles of Pleasure.” PMLA 105 (1990): 505–50.CrossRefGoogle Scholar