This article explores the space that emerges between language and citizenship when language can no longer be assumed to be the direct expression of a precise national, cultural, and geopolitical identity. In the modern uncoupling of identities from fixed homelands, the sense of belonging finds itself caught up in a continual process of translating and being translated. In an emerging configuration that interrogates the subject-centered perspective of occidental humanism, we are invited to consider the transit of language, whether in literary expression, television realism, or musical rhythm, as the site of an ongoing elaboration that is irreducible to a single point of view or to the transparency desired by a unilateral politics. Where no culture, history, or identity remains immune to the interruptions and interrogations of a multiple modernity that no longer merely mirrors the First World, the rights and responsibilities of citizenship need to be reconsidered radically.