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Published online by Cambridge University Press: 02 December 2020
Before a society whose members are so largely teachers of language, and conversant with the art of writing, it would be superfluous to insist upon the value of style as an element of power in literature. As the thoughts of the mind involve the highest of human interests, what can be more important than their fit expression ? What are the enduring books, of which the reading world calls for continually new editions ? Invariably they are the books which are the best written. The sense of the world is keen and the survival of the fittest is as certain as that art is long. Considering that most books are written by sciolists or else by ignoramuses, and by authors who have never learned the rudiments of literary art, is it any wonder that they nearly all perish almost as soon as they are born ? Perfection in style, indeed, is rarely or never found. As Alexander Smith sought through all literature—and sought in vain,—for
“A poem round and perfect as a star,”
so the perfect style is far to seek and hard to find. Style is not merely, as some conceive, manner independent of matter; it is not merely the dress of thought, but the living body of thought itself.