Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-22T15:13:27.476Z Has data issue: false hasContentIssue false

Bring Up the Bodies: The Classical Concept of Poetic Vividness and Its Reevaluation in Holocaust Literature

Published online by Cambridge University Press:  23 October 2020

Abstract

The scenario of someone gazing at corpses plays an important role in the work of three authors representing three generations of Holocaust literature: Peter Weiss, W. G. Sebald, and Jonathan Littell. Plato and Aristotle used this scenario to address a key question raised by the concept of poetic vividness, which they defined as putting a described scene before the reader's eyes: If literature shows us gruesome sights that we should not desire to see or enjoy seeing, does this make literature a form of voyeurism? Weiss, Sebald, and Littell evoke corpse gazing in the context of the Holocaust to answer this question and to articulate unique poetic philosophies that respond to the challenge to literature's validity constituted by the Holocaust. The diferent ways in which they use corpse gazing reveal how Holocaust literature has changed and continues to change as the era of survivor testimony wanes.

Type
Research Article
Copyright
Copyright © 2017 The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adorno, Theodor W.Cultural Criticism and Society.” Prisms, Translated by Weber, Samuel and Weber, Shierry, MIT P, 1981, pp. 934.Google Scholar
Adorno, Theodor W.The Meaning of Working through the Past.” Critical Models: Interventions and Catchwords, Translated by Pickford, Henry W., Columbia UP, 1998, pp. 89104.Google Scholar
Aristotle. Poetics. Translated by Kenny, Anthony, Oxford UP, 2013.Google Scholar
Aristotle. Poetics. Translated by Janko, Richard, Hackett Publishing Company, 1987.Google Scholar
Blumenberg, Hans. Shipwreck with Spectator: Paradigm of a Metaphor for Existence. Translated by Rendall, Steven, MIT P, 1996.Google Scholar
Buch, Robert. “Laokoons ältester Sohn: Gewalt und Bildlichkeit bei Peter Weiss.” Arcadia, vol. 42, no. 1, 2007, pp. 132–65.CrossRefGoogle Scholar
Buch, Robert. “The Resistance to Pathos and the Pathos of Resistance: Peter Weiss.” The Germanic Review, vol. 83, no. 3, 2008, pp. 241–66.CrossRefGoogle Scholar
Bussels, Stijn. Animated Image: Roman Theory on Naturalism, Vividness and Divine Power. Akademie Verlag, 2012.CrossRefGoogle Scholar
Cohen, Robert. Understanding Peter Weiss. U of South Carolina P, 1993.Google Scholar
Cooper, John M.Plato's Theory of Human Motivation.” History of Philosophy Quarterly, vol. 1. no. 1, 1984, pp. 321.Google Scholar
Delbo, Charlotte. Auschwitz and After. Translated by Lamont, Rosette C., Yale UP, 1995.Google Scholar
Didi-Huberman, Georges. Images in Spite of All: Four Photographs from Auschwitz. Translated by Lillis, Shane B., U of Chicago P, 2008.Google Scholar
Dionysius of Halicarnassus. “Lysias.” he Critical Essays in Two Volumes, translated by Stephen Usher, vol. 1, Harvard UP, 1974, pp. 1699.Google Scholar
Eder, Richard. “Excavating a Life.” Review of Austerlitz, by W.G. Sebald, translated by Anthea Bell, he New York Times, 28 Oct. 2001, Book Review, p. 10.Google Scholar
Finch, Helen, and Wolff, Lynn L. Introduction. Witnessing, Memory, Poetics: H.G. Adler and W.G. Sebald, edited by Finch, and Wolff, , Camden House, 2014, pp. 121.Google Scholar
Friedländer, Saul. Introduction. Probing the Limits of Representation: Nazism and the “Final Solution,” edited by Friedländer, Harvard UP, 1992, pp. 121.Google Scholar
Fuchs, Anne. “W.G. Sebald's Painters: The Function of Fine Art in His Prose Works.” Modern Language Review, vol. 101, no. 1, 2006, pp. 167–83.Google Scholar
Georgesco, Florent. “Jonathan Littell: Maximilien Aue, je pourrais dire que c'est moi.” Le Figaro, 30 Dec. 2006, pp. 4852.Google Scholar
Grethlein, Jonas. “Myth, Morals, and Metafiction in Jonathan Littell's Les BienveillantesPMLA, vol. 127, no. 1, Jan. 2012, pp. 7793.Google Scholar
Halliwell, Stephen. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton UP, 2002.CrossRefGoogle Scholar
Hell, Julia. “Eyes Wide Shut: German Post-Holocaust Authorship.” New German Critique, vol. 88, 2003, pp. 936.CrossRefGoogle Scholar
Hell, Julia. “From Laokoon to Ge: Resistance to Jewish Authorship in Peter Weiss's Ästhetik des Widerstands.Rethinking Peter Weiss, edited by Hermand, Jost and Silberman, Marc, Peter Lang Publishing, 2000, pp. 2144.Google Scholar
Hell, Julia. “Imperial Ruin Gazers; or, Why Did ScipioGoogle Scholar
Weep?“ Ruins of Modernity, edited by Hell, and Schönle, Andreas, Duke UP, 2010, pp. 169–92.Google Scholar
Horowitz, Sara R. Voicing the Void: Muteness and Memory in Holocaust Fiction. State U of New York P, 1997.Google Scholar
Howes, Seth. “Weiss/Sartre: Cold War Stellungnahme and the Poetic-Political Either/Or in Peter Weiss's Final Swedish Novel.” he Germanic Review, vol. 89, no. 3, 2014, pp. 285304.CrossRefGoogle Scholar
Huyssen, Andreas. “Gray Zones of Remembrance.” A New History of German Literature, edited by Wellbery, David E. et al., Harvard UP, 2004, pp. 970–75.Google Scholar
Jaggi, Maya. “Recovered Memories.” The Guardian, 22 Sept. 2001, p. 6.Google Scholar
Janko, Richard. Introduction. Aristotle, Poetics [1987], pp. ix-xxvi.Google Scholar
Jaspers, Karl. The Question of German Guilt. Translated by Ashton, E.B., Fordham UP, 2001.Google Scholar
Kaplan, Brett Ashley. Unwanted Beauty: Aesthetic Pleasure in Holocaust Representation. U of Illinois P, 2007.Google Scholar
Koelb, Janice Hewlett. The Poetics of Description: Imagined Places in European Literature. Palgrave Macmillan, 2006.CrossRefGoogle Scholar
LaCapra, Dominick. “Historical and Literary Approaches to the ‘Final Solution’: Saul Friedländer and Jonathan Littell.” History and Theory, vol. 50, no. 1, 2011, pp. 7197.CrossRefGoogle Scholar
LaCapra, Dominick. History and Memory after Auschwitz. Cornell UP, 1998.CrossRefGoogle Scholar
Lacoue-Labarthe, Philippe. Heidegger, Art and Politics: The Fiction of the Political. Translated by Turner, Chris, Blackwell, 1990.Google Scholar
Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc. “The Nazi Myth.” Translated by Brian Holmes. Critical Inquiry, vol. 16, no. 2, 1990, pp. 291312.CrossRefGoogle Scholar
Levitt, Laura. American Jewish Loss after the Holocaust. New York UP, 2007.Google Scholar
Liebert, Rana Saadi. “Pity and Disgust in Plato's Republic: The Case of Leontius.” Classical Philology, vol. 108, no. 3, 2013, pp. 179201.CrossRefGoogle Scholar
Lindner, Burkhardt. “Hallucinatory Realism: Peter Weiss' Aesthetics of Resistance, Notebooks, and the Death Zones of Art.” Translated by Luke Springman and Amy Kepple. New German Critique, vol. 30, 1983, pp. 127–56.Google Scholar
Littell, Jonathan. Les Bienveillantes. Gallimard, 2006. -. The Kindly Ones. Translated by Mandell, Charlotte, Harper Collins, 2009.Google Scholar
Long, J.J. W.G. Sebald: Image, Archive, Modernity. Columbia UP, 2008.Google Scholar
Losemann, Volker. Nationalsozialismus und Antike: Studien zur Entwicklung des Faches Alte Geschichte, 1933–1945. Hoffmann und Campe, 1977.Google Scholar
Lothe, Jakob, et al. Introduction. “Ater Testimony”: The Ethics and Aesthetics of Holocaust Narrative for the Future, edited by Lothe, et al., Ohio State UP, 2012, pp. 119.Google Scholar
Moss, Jessica. “Shame, Pleasure, and the Divided Soul.” Oxford Studies in Ancient Philosophy, vol. 29, 2005, pp. 137–70.Google Scholar
Plato. Ion. Plato's “Ion” and “Meno,” Translated by Jowett, Benjamin, Agora, 1998, pp. 124.Google Scholar
Plato. Ion. The Republic. Translated by Sterling, Richard W. and Scott, William C., W.W. Norton, 1985.Google Scholar
Quintilian. Institutio Oratoria: The Orator's Education. Edited and translated by Donald A. Russell, vol. 3, Harvard UP, 2002.CrossRefGoogle Scholar
Rothberg, Michael. Traumatic Realism: The Demands of Holocaust Representation. U of Minnesota P, 2000.Google Scholar
Schedel, Susanne. “Wer weiss, wie es vor Zeiten wirklich gewesen ist?”: Textbeziehungen als Mittel der Geschichtsdarstellung bei W.G. Sebald. Königshausen und Neumann, 2004.Google Scholar
Scherpe, Klaus R.Reading the Aesthetics of Resistance: Ten Working Theses.” Translated by James Gussen. New German Critique, vol. 30, 1983, pp. 97105.CrossRefGoogle Scholar
Sebald, Winfried Georg. “An Attempt at Restitution.” Campo Santo, Translated by Bell, Anthea, Random House, 2005, pp. 197206.Google Scholar
Sebald, Winfried Georg. Austerlitz. Hanser, 2001.Google Scholar
Sebald, Winfried Georg. Austerlitz. Translated by Bell, Anthea, Modern Library, 2001.Google Scholar
Sebald, Winfried Georg. “The Remorse of the Heart: On Memory and Cruelty in the Work of Peter Weiss.” On the Natural History of Destruction, Translated by Bell, Anthea, Modern Library, 2004, pp. 169–91.Google Scholar
Sebald, Winfried Georg. Die Ringe des Saturn: Eine englische Wallfahrt. Eichborn, 1995.Google Scholar
Sebald, Winfried Georg. The Rings of Saturn. Translated by Hulse, Michael, New Directions, 1998.Google Scholar
Sebald, Winfried Georg. “Ein Versuch der Restitution.” Campo Santo, Fischer Taschenbuch, 2006, pp. 240–48.Google Scholar
Sebald, Winfried Georg. “Die Zerknirschung des Herzens: Úber Erinnerung und Grausamkeit im Werk von Peter Weiss.” 1986. Campo Santo, Fischer Taschenbuch, 2006, pp. 128–48.Google Scholar
Suleiman, Susan Rubin. “When the Perpetrator Becomes a Reliable Witness of the Holocaust: On Jonathan Littell's Les BienveillantesNew German Critique, vol. 106, 2009, pp. 119.CrossRefGoogle Scholar
Theweleit, Klaus. “On the German Reaction to Jonathan Littell's Les Bienveillantes.” Translated by Timothy Nunan. New German Critique, vol. 106, 2009, pp. 2134.CrossRefGoogle Scholar
Weiss, Peter. Die Ästhetik des Widerstands. 1975–81. Suhrkamp, 2005.Google Scholar
Weiss, Peter. Fluchtpunkt. 1961. Werke in Sechs Bänden, vol. 2, Suhrkamp, 1991, pp. 143294.Google Scholar
Weiss, Peter. “Meine Ortschaft.” Rapporte, vol. 1, Suhrkamp, 1968, pp. 113–24.Google Scholar
Weiss, Peter. “My Place.” Translated by K. Jackiw. Chicago Review, vol. 29, no. 3, 1978, pp. 143–51.Google Scholar
Weiss, Peter. Vanishing Point. Exile, Translated by Garside, E.B. et al., Delacorte, 1968, pp. 89245.Google Scholar