Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-19T13:04:44.009Z Has data issue: false hasContentIssue false

The Benda Illustrations to My Ántonia: Cather's “Silent” Supplement to Jim Burden's Narrative

Published online by Cambridge University Press:  23 October 2020

Jean Schwind*
Affiliation:
University of Minnesota Minneapolis

Abstract

The publishing history of My Ántonia emphasizes what is implicit in the novel's numerous references to pictorial art: the pictures in the first edition of My Ántonia are not dispensable decorations but an essential part of Cather's text. The Benda illustrations (which Cather independently commissioned against the strong opposition of her publishers at Houghton Mifflin) reinforce the central fiction of the novel, in which “editor” Cather introduces My Ántonia as the work of “author” Jim Burden. Presenting My Ántonia as a critically edited or “supplemented” text, Cather hints that W. T. Benda's series of drawings is her most important addition to the “substance” of Jim's text. In her introduction to Jim's narrative, Cather suggests that Jim Burden's literary vision is faulty and in need of correction. Cather offers this corrective by providing a pictorial subtext that offsets the romantic bias of My Ántonia and exposes Jim Burden's limitations as an author.

Type
Research Article
Information
PMLA , Volume 100 , Issue 1 , January 1985 , pp. 51 - 67
Copyright
Copyright © Modern Language Association of America, 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Brown, E. K. Willa Cather: A Critical Biography. Completed by Leon Edel. New York: Avon, 1953.Google Scholar
Byrnes, Gene A. A Complete Guide to Drawing, Illustrating, Cartooning, and Painting. New York: Simon, 1948.Google Scholar
Carroll, Latrobe. “Willa Sibert Cather.” Bookman 53 (1921): 212–16.Google Scholar
Cather, Willa. “As You Like It.” Nebraska State Journal 6 Jan. 1895. Rpt. in The World and the Parish: Willa Cather's Articles and Reviews, 1893–1902. Ed. Curtain, William. Lincoln: Univ. of Nebraska Press, 1970, 1: 124–27.Google Scholar
Cather, Willa. My Ántonia. Boston: Houghton, 1918.Google Scholar
Cather, Willa. My Ántonia. Sentry ed. Boston: Houghton, 1954.Google Scholar
Cather, Willa. “My First Novels (There Were Two).” In Willa Cather on Writing. New York: Knopf, 1949, 9197.Google Scholar
Cather, Willa. “The Novel Démeublé.” In her Not under Forty. New York: Knopf, 1936, 4351.Google Scholar
Gelfant, Blanche. “The Forgotten Reaping Hook: Sex in My Ántonia.American Literature 43 (1971): 6082.CrossRefGoogle Scholar
The Lives, Adventures, and Exploits of Frank and Jesse James, with an Account of the Tragic Death of Jesse James, April 3d, 1882. N.p.: n.p., n.d.Google Scholar
Novak, Barbara. Nature and Culture: American Landscape and Painting, 1825–75. New York: Oxford Univ. Press, 1980.Google Scholar
Riis, Jacob A. The Old Town. New York: Macmillan, 1909.Google Scholar
Samuels, Peggy, and Samuels, Harold. The Illustrated Biographical Encyclopedia of Artists of the American West. Garden City, N.Y.: Doubleday, 1976.Google Scholar
Schroeder, James. “Willa Cather and The Professor's House.” Yale Review 54 (1965): 494512. Rpt. in Willa Cather and Her Critics. Ed. Schroeder, James. Ithaca, N.Y.: Cornell Univ. Press, 1967, 363–81.Google Scholar
Taft, Robert. Artists and Illustrators of the Old West: 1850–1900. New York: Scribners, 1953.Google Scholar
Vergil. The Georgics. In The Georgics and Eclogues of Virgil. Trans. Williams, Theodore C. Cambridge: Harvard Univ. Press, 1915.Google Scholar
Woodress, James. Willa Cather: Her Life and Art. Lincoln: Univ. of Nebraska Press, 1970.Google Scholar