Not far into the first volume of laurence sterne's tristram shandy, we are presented with the death scene of yorick, the country parson who plays a central role in the novel. Yorick has barely made his appearance before his death is lamented in one of the novel's most arresting passages. This death scene is unexpected and out of sync with the way the story has been told so far. Readers are not yet aware that events transpire according to a system all their own; nor do they realize that in Tristram Shandy death is implicit in the lives of its characters as perhaps in no other novel, certainly no other comic novel, of the last half of the eighteenth century. Of course, in Tristram Shandy there is no law about when things happen or how they relate to matters around them, except some supple notion of memory and the association of ideas, as articulated by John Locke. Still, Sterne, who uses the self-effacing parson to represent himself, has made no bones about his ill health and how short a time he has for writing his novel, and in that sense this scene could be placed anywhere and it would be perfectly intelligible. One critic, at least, reads the novel as a direct reflection of Sterne's awareness of his own mortal illness.