The student of literature will find it instructive to examine some of the better general histories, and to discover how little, if any, recognition they give to the function and power of imagination, of the arts, and of literature, in promoting civilization. Not only do the rationalists ignore that force—e.g., H. G. Wells,
The Outline of History; Charles Richet,
Allgemeine Kulturgeschichte; J. H. Robinson,
The Mind in the Making; and Harry E. Barnes,
New History—but it receives almost no acknowledgment in such otherwise admirable surveys as Francis Marvin's
Living Past, Nicholas A. Weber's
General History of the Christian Era, Hutton Webster's
World History, and Geoffrey Parsons'
Stream of History. H. A. L. Fisher's
History of Europe makes much of the force of personality, but says next to nothing about the literary influences which molded or inspired it. A. J. Toynbee's
Study of History stresses a) the success or failure of a civilization to meet a new challenge, and b) the temporary withdrawal of the leaders or prophets to gain insight; but it neglects the bearing of creative imagination upon each of those crucial situations. In his essay, “When Monsters Become Masters: Gods in Technology, Apes in Life” (
Sat. Rev. Lit., Aug. 16, 1947), Toynbee shows that retrogressions have been due to the neglect of a humane tradition of a civilized past.
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