Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-05T12:04:15.818Z Has data issue: false hasContentIssue false

Modern Mimology: The Dream of a Poetic Language

Published online by Cambridge University Press:  23 October 2020

Gerard Genette
Affiliation:
Arizona State University, Tempe
Thaïs E. Morgan
Affiliation:
Arizona State University, Tempe

Extract

In Mimologiques: Voyage en Cratylie ‘Mimologics: A Voyage into Cratylusland,’ Gérard Genette introduces his readers to a new genre of discourse that cuts across disciplinary boundaries: mimologism. Beginning with the “founding text” in Plato's Cratylus, Genette explores the twists and turns of the debate between mimeticists and conventionalists over the origin and nature of language. The terms mimologism and Cratylism describe the position of Cratylus and all those in his wake—aestheticians, poets, and philosophers of language—who believe, “rightly or wrongly,” that “there must be a relation of reflective analogy (a relation of imitation) between ‘word’ and ‘thing,‘ that motivates, or justifies, the existence and the choice of the former.” At the same time, the “Cratylian desire” for perfect harmony between word and thing expresses itself unconsciously inreveries,” or mimologics, in which the dreamer—whether Schlegel, Renan, Proust, or Saussure—muses on the mimetic potential of language (Genette 9).

Type
Research Article
Information
PMLA , Volume 104 , Issue 2 , March 1989 , pp. 202 - 214
Copyright
Copyright © Modern Language Association of America, 1989

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Barrès, Maurice. Sous l'oeil des Barbares. Paris: Plon, 1921.Google Scholar
Baudelaire, Charles. Flowers of Evil A Selection. Ed. Marthiel Mathews, and trans. and Mathews, Jackson. New York: New Directions, 1955.Google Scholar
Cohen, Jean. Structure du langage poétique. Paris: Flammarion, 1966.Google Scholar
Eikhenbaum, Boris M.The Theory of the Formal Method.” Matejka and Pomorska 337.Google Scholar
Fonagy, Ivan. “Motivation et rémotivation.” Poétique 11 (1972): 414–31.Google Scholar
Genette, Gérard. Mimologiques: Voyage en Cratylie. Paris: Seuil, 1976.Google Scholar
Jakobson, Roman. “The Dominant.” Matejka and Pomorska 8287.Google Scholar
Jakobson, Roman. “Fragments de La nouvelle poésie russe: Esquisse première: Velimir Khlebnikov.Questions de poétique 1124.Google Scholar
Jakobson, Roman. “Grammatical Parallelism and Its Russian Aspect.” Selected Writings 3: 98135.Google Scholar
Jakobson, Roman. “Linguistics and Poetics.” Style in Language. Ed. Sebeok, Thomas A. Cambridge: MIT P, 1960. 350–77.Google Scholar
Jakobson, Roman. “Marginal Notes on the Prose of the Poet Pasternak.” Pomorska and Rudy 301–17.Google Scholar
Jakobson, Roman. “Une microscopie du dernier ‘Spleen’ dans Les fleurs du mal.Questions de poétique 420–35.Google Scholar
Jakobson, Roman. “Poetry of Grammar and Grammar of Poetry.” Verbal Art, Verbal Signs, Verbal Time. Ed. Pomorska, Krystyna and Rudy, Stephen. Minneapolis: U of Minnesota P, 1985. 3746.Google Scholar
Jakobson, Roman. “La première lettre de Ferdinand de Saussure à Antoine Meillet sur les anagrammes.Questions de poétique 190201.Google Scholar
Jakobson, Roman. “Quest for the Essence of Language.” Selected Writings 2: 345–59.Google Scholar
Jakobson, Roman. Questions de poétique. Paris: Seuil, 1973.Google Scholar
Jakobson, Roman. Selected Writings of Roman Jakobson. 6 vols. The Hague: Mouton, 1971–85.CrossRefGoogle Scholar
Jakobson, Roman. “What Is Poetry?” Pomorska and Rudy 368–78.Google Scholar
Jakobson, and Morris Halle. “Two Aspects of Language and Two Types of Aphasic Disturbances.” Fundamentals of Language. The Hague: Mouton, 1956. 5582.Google Scholar
Kristeva, Julia. Revolution in Poetic Language. Trans. Waller, Margaret. New York: Columbia UP, 1984.Google Scholar
Lamy, R. P. Bernard. La rhétorique: Ou, L'art de parler. 4th ed. Amsterdam: Marret, 1699. Brighton: Sussex, 1969.Google Scholar
Lessing, Gotthold Ephraim. Laöcoon: An Essay on the Limits of Painting and Poetry. Trans. Edward Allen McCormick. Indianapolis: Bobbs, 1962.Google Scholar
Matejka, Ladislav, and Pomorska, Krystyna, eds. and trans. Readings in Russian Poetics: Formalist and Structuralist Views. Michigan Slavic Contributions. Ann Arbor: Michigan UP, 1978.Google Scholar
Pomorska, Krystyna, and Rudy, Stephen, eds. Language in Literature. Cambridge: Harvard UP, 1987.Google Scholar
Sartre, Jean-Paul. Saint Genet: Actor and Martyr. Trans. Frechtman, Bernard. New York: Pantheon, 1963.Google Scholar
Sartre, Jean-Paul. What Is Literature? Trans. Frechtman, Bernard. New York: Philosophical Library, 1949.Google Scholar
Ullmann, Stephen. Semantics: An Introduction to the Science of Meaning. Oxford: Oxford UP, 1962.Google Scholar