Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-22T15:17:46.009Z Has data issue: false hasContentIssue false
  • English
  • Français

Latin American Documentary Narrative

Published online by Cambridge University Press:  23 October 2020

David William Foster
David William Foster*
Affiliation:
Arizona State University, Tempe
Get access Rights & Permissions [Opens in a new window]

Abstract

Latin American fiction has historically been characterized by its testimony on sociopolitical issues, and the contemporary novel offers important examples of the documentary narrative. Indeed, Latin American authors appear to have made richer—and earlier—use of documentary narrative than have more commonly cited American writers. Through an examination of five representative narratives, by Rodolfo Walsh (Argentina), Elena Poniatowska (Mexico), Gabriel García Márquez (Colombia), Hernán Valdés (Chile), and Miguel Barnet (Cuba), this study examines such major features of Latin American documentary narrative as complementary and contrapuntal juxtaposition, irony, authorial editing and commentary, foreshadowing and echoing of events, and disjunctive interplay between various levels of the text.

Type
Research Article
Information
PMLA , Volume 99 , Issue 1 , January 1984 , pp. 41 - 55
Copyright
Copyright © Modern Language Association of America, 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Avellaneda, Andrés Oscar. “El tema del peronismo en la narrativa argentina.” Diss. Univ. of Illinois 1973.Google Scholar
Barnet, Miguel. The Autobiography of a Runaway Slave. Trans. Innes, Jacosta. London: Bodley Head, 1966.Google Scholar
Barnet, Miguel. Biografía de un cimarrón. México: Siglo XXI, 1971.Google Scholar
Barnet, Miguel. La canción de Rachel. Barcelona: Estela, 1970.Google Scholar
Barnet, Miguel. “Miguel Barnet charla con los editores de Vórtice.” Vórtice 2.2–3 (1979): 1–10.Google Scholar
Barreda, Pedro M. The Black Protagonist in the Cuban Novel. Amherst: Univ. of Massachusetts Press, 1979.Google Scholar
Barros Sierra, Javier. 1968: Conversaciones con Gastón García Cantá. México: Siglo XXI, 1972.Google Scholar
Bejel, Emilio. “Entrevista: Miguel Barnet.” Hispamérica no. 29 (Aug. 1981): 41–52.Google Scholar
Bissett, Judith Ismael. “Consciousness-Raising Dramatic Structures in Latin America's Theater of Commitment.” Diss. Arizona State Univ. 1976.Google Scholar
Borello, Rodolfo A. “Novela e historia: La visión fictiva del período peronista en las letras argentinas.” Anales de Literatura Hispanoamericana no. 8 (1979): 29–72.Google Scholar
Campos Lemus, Sócrates A. El Otoño de revolución (octubre). México: Costa-Amic, 1973.Google Scholar
Carpentier, Alejo. “De lo real maravillosamente americano.” In his Tientos y diferencias (ensayos). México: Univ. Nacional Autónoma de México, 1964, 115–35.Google Scholar
Castellanos, Jorge, and Martínez, Miguel A. “El dictador hispanoamericano como personaje literario.” Latin American Research Review 16.2 (1981): 79–105.Google Scholar
Chang-Rodríguez, Raquel. “Sobre La canción de Rachel, novela-testimonio.” Revista Iberoamericana 44 (1978): 133–38.Google Scholar
Christ, Ronald. “The Author as Editor.” Review of the Center for Inter-American Relations no. 15 (1975): 78–79.CrossRefGoogle Scholar
Collazos, Oscar, and Cortázar, Julio. Literatura en la revolución y revolución en la literatura. México: Siglo XXI, 1970.Google Scholar
“Coloquio sobre literatura chilena de la resistencia y del exilio.” Casa de las Américas no. 112 (1979): 73–109.Google Scholar
Dorfman, Ariel. Imaginación y violencia en América. Santiago: Universitaria, 1970.Google Scholar
Epple, Juan Armando. “Esa literatura que surge de un cerco de púas.” Literatura Chilena en el Exilio 2.1 (1978): 7–8.Google Scholar
Fernández Guerra, Angel Luis. “Cimarrón y Rachel: Un ‘continuum.‘” Unión 9.4 (1970): 161–67.Google Scholar
Fernández Moreno, César, comp. América latina en su literatura. México: Siglo XXI, 1972.Google Scholar
Ford, Aníbal. “Walsh: La reconstructión de los hechos.” In Nueva novela latinoamericana. Ed. Lafforgue, Jorge. Buenos Aires: Paidós, 1969–72, 2: 272–322.Google Scholar
Foster, David William. “Augusto Roa Bastos's I the Supreme: The Image of a Dictator.” Latin American Literary Review 4.7 (1975): 31–35.Google Scholar
Franco, Jean. “The Critique of the Pyramid and Mexican Narrative after 1968.” In Latin American Fiction Today: A Symposium. Ed. Minc, Rose S. Takoma Park, Md.: Hispamérica; Upper Montclair, N.J.: Montclair State Coll., [1979], 49–60.Google Scholar
Fuentes, Carlos. La nueva novela hispanoamericana. México: Joaquín Mortiz, 1969.Google Scholar
Fuentes, Carlos. Todos los gatos son pardos. México: Siglo XXI, 1970.Google Scholar
García Márquez, Gabriel. Relato de un náufrago. … Barcelona: Tusquets, 1970.Google Scholar
Goldar, Ernesto. El peronismo en la literatura argentina. Buenos Aires: Freeland, 1971.Google Scholar
González Echevarría, Roberto. “Biografía de un cimarrón and the Novel of the Cuban Revolution.” Novel 13 (1980): 249–63.Google Scholar
Hellmann, John. Fables of Fact: The New Journalism as New Fiction. Urbana: Univ. of Illinois Press, 1981.Google Scholar
Hollowell, John. Fact and Fiction: The New Journalism and the Nonfiction Novel. Chapel Hill: Univ. of North Carolina Press, 1977.Google Scholar
Jitrik, Noé. El no existente caballero: La idea de personaje y su evolución en la narrativa latinoamericana. Buenos Aires: Megápolis, 1975.Google Scholar
Leal, Luis. “Tlatelolco, Tlatelolco.” Denver Quarterly 14.1 (1979): 3–13.Google Scholar
Lyday, Leon F., and Woodyard, George W., eds. Dramatists in Revolt: The New Latin American Theater. Austin: Univ. of Texas Press, 1976.Google Scholar
Manzano, Juan Francisco. The Life and Poems of a Cuban Slave. Ed. Mullen, Edward J. Hamden, Ct.: Archon, 1981.Google Scholar
Massey, Kenneth W. “From behind the Bars of Signifiers and Signifieds.” Dispositio 2 (1977): 87–92.Google Scholar
Miliani, Domingo. “El dictador: Objeto narrativo en Yo el Supremo.” Revista de Crítica Literaria Latinoamericana no. 4 (1976): 103–19.CrossRefGoogle Scholar
Miller, Beth, and González, Alfonso. “Elena Poniatowska.” In their 26 autores del México actual. México: Costa-Amic, 1978, 299–321.Google Scholar
Mora, Mora Juan Miguel. Tlatelolco, por fin toda la verdad. México: Editores Asociados, 1975.Google Scholar
Morello-Frosch, Marta. “La ficción se historifica: Cortázar y Rozenmacher.” In Actas del Simposio Internacional de Estudios Hispánicos. Budapest: Akad. Kiadó, 1978, 401–11.Google Scholar
Moreno Fraginals, Manuel. “Biografía de un cimarrón.” Casa de las Américas no. 40 (1967): 131–32.Google Scholar
Müller-Bergh, Klaus. “Relato de un náufrago: Gabriel García Márquez' Tale of Shipwreck and Survival at Sea.” Books Abroad 47 (1973): 430–66.Google Scholar
Paz, Octavio. The Other Mexico: Critique of the Pyramid. Trans. Kemp, Lysander. New York: Grove, 1972.Google Scholar
Paz, Octavio. Postdata. México: Siglo XXI, 1970.Google Scholar
Poniatowska, Elena. “Un libro que me fue dado.” Vida Literaria no. 3 (1970): 3–4.Google Scholar
Poniatowska, Elena. Massacre in Mexico. Trans. Lane, Helen R. Viking, 1975.Google Scholar
Poniatowska, Elena. La noche de Tlatelolco: Testimonios de historia oral. México: Era, 1971.Google Scholar
Portantiero, Juan Carlos. Realismo y realidad en la narrativa argentina. Buenos Aires: Procyón, 1961.Google Scholar
Rodríguez Monegal, Emir. “David Viñas en su contorno.” Mundo Nuevo no. 18 (1967): 75–86. Rpt. in his Narradores de esta América. Montevideo: Alfa, 1969–74, 2: 310–30.Google Scholar
Rosser, Harry L. Conflict and Transition in Rural Mexico: The Fiction of Social Realism. Boston: Crossroads, 1980.Google Scholar
Ruffinelli, Jorge. “Diez días en el mar.” In Sobre García Márquez. Ed. Pedro Simón Martínez. Montevideo: Biblioteca de Marcha, 1971, 207–09.Google Scholar
Ruffinelli, Jorge. “Un periodista llamado Gabriel García Márquez.” In his Crítica en marcha: Ensayos sobre literatura latinoamericana. México: Premia, 1979, 59–69.Google Scholar
Schulman, Ivan A. “Reflections on Cuba and Its Antislavery Literature.” Southeastern Conference on Latin American Studies 7 (1976): 59–67.Google Scholar
Skármeta, Antonio, ed. Joven narrativa chilena después del golpe. Clear Creek, Ind.: American Hispanist, 1976.Google Scholar
Szichman, Mario. La verdadera crónica falsa. Buenos Aires: Centro Editor de América Latina, 1972.Google Scholar
Hernán, Valdés. Tejas Verdes: Diario de un campo de concentración en Chile. Barcelona: Ariel, 1974.Google Scholar
Vargas Llosa, Mario. García Márquez: Historia de un deicidio. Caracas: Monte Avila; Barcelona: Barrai, 1971.Google Scholar
Vidal, Hernán. Literatura hispanoamericana e ideología liberal: Surgimiento y crisis (una problemática sobre la dependencia en torno a la narrativa del boom). Takoma, Md.: Hispamérica, 1976.Google Scholar
Walsh, Rodolfo. Operación masacre. Buenos Aires: Jorge Alvarez, 1969.Google Scholar
Weber, Ronald. The Literature of Fact: Literary Nonfiction in American Writing. Athens: Ohio Univ. Press, 1980.Google Scholar
Zavarzadeh, Mas'ud. The Mythopoeic Reality: The Postwar American Nonfiction Novel. Urbana: Univ. of Illinois Press, 1976.Google Scholar