Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-22T14:04:07.990Z Has data issue: false hasContentIssue false
  • English
  • Français

Framing the Original: Toward a New Visibility of the Orient

Published online by Cambridge University Press:  23 October 2020

Rey Chow
Get access Rights & Permissions [Opens in a new window]

Extract

A friend, long deceased, once told me how he had decided to specialize in Japanese literature. In the early 1970s, he heard a talk by a well-known Japanologist, who contrasted China study and Japan study by citing the opening lines of two primers for foreign students. The Chinese primer began with the line “I am hungry”; the Japanese one began with the line “The cherry blossoms are falling from the sky.” My friend chose to go the way of the cherry blossoms.

Type
Guest Column
Information
PMLA , Volume 126 , Issue 3 , May 2011 , pp. 555 - 563
Copyright
Copyright © Modern Language Association of America, 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Balibar, Étienne. “The Nation Form: History and Ideology.” Trans. Chris Turner. Race, Nation, Class: Ambiguous Identities. By Balibar and Immanuel Wallerstein. New York: Verso, 1991. 86–106. Print.Google Scholar
Chang, Eileen. “Lust, Caution”. Trans. Julia Lovell. Lust, Caution: The Story, the Screenplay, and the Making of the Film. Pref. Ang Lee. New York: Pantheon, 2007. 1–48. Print.Google Scholar
Chang, Eileen. “Se, jie”. Wangran ji. Taipei: Crown, 1983. 13–44. Print.Google Scholar
Hsiao-hung, Chang. “Ai de bukeneng renwu: Se, jie zhong de xing—zhengzhi—lishi/The Mission Impossible of Love: Sex—Politics—History in Lust, Caution.” Chungwai Literary Monthly Sept. 2009:9–48. Print.Google Scholar
Chow, Rey. “Liquidity of Being.” Afterword. The Chinese Cinema Book. Ed. Lim, Song Hwee and Ward, Julian. London: British Film Inst.; Palgrave, 2011. 194–99. Print.Google Scholar
Chow, Rey. “Sexuality.” A Concise Companion to Feminist Theory. Ed. Eagleton, Mary. Oxford: Blackwell, 2003. 93–110. Print.CrossRefGoogle Scholar
Jinhua, Dai. “Shenti, zhengzhi, guozu—cong Zhang Ailing dao Li An” [Body, Politics, Nation—from Eileen Chang to Ang Lee]. Zuoan tegao 13 Dec. 2007. Wuyouzixiang. Web. 11 May 2010.Google Scholar
Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Sheridan, Alan. New York: Vintage, 1979. Print.Google Scholar
Foucault, Michel. The Use of Pleasure. Trans. Hurley, Robert. New York: Vintage, 1986. Print. Vol. 2 of The History of Sexuality.Google Scholar
Lee, Haiyan. “Enemy under My Skin: Eileen Chang's Lust, Caution and the Politics of Transcendence”. PMLA 125.3 (2010): 640–56. Print.Google Scholar
Lee, Leo Ou-fan. “Ang Lee's Lust, Caution and Its Reception”. Boundary 2 35.3 (2008): 223–38. Print.Google Scholar
Lee, Leo Ou-fan. Di Se, jie: Wenxue, dianying, lishi. Hong Kong: Oxford UP, 2008. Print.Google Scholar
Dahan, Li. Yi shan zou guo you yi shan (A Journey of Ang Lee: From Brokeback Mountain to Lust, Caution). Taipei: Ruguo, 2007. Print.Google Scholar
Yingtai, Long. “Wo kan Se, jie”. Mingpao Daily 27 Sept. 2007, No. Amer. ed.: D12. Print.Google Scholar
Lust, Caution. Dir. Ang Lee. Universal, 2007. DVD.Google Scholar
Van Gulik, R. H. Sexual Life in Ancient China. 1961. Leiden: Brill, 1974. Print.Google Scholar
Williams, Linda. Hard Core: Power, Pleasure, and “the Frenzy of the Visible.” 1989. Expanded ed. Berkeley: U of California P, 1999. Print.Google Scholar