No CrossRef data available.
Article contents
Yossi Maurey , Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint. Cambridge: Cambridge University Press, 2014. xvi + 298 pp. £70. ISBN 978 1 107 06095 1.
Published online by Cambridge University Press: 25 September 2015
Abstract
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS0961137115000145/resource/name/firstPage-S0961137115000145a.jpg)
- Type
- Reviews
- Information
- Copyright
- Copyright © Cambridge University Press, 2015
References
1 Early Music History, 32 (2013), 317–23.
2 A copy of the original customary (destroyed in World War I) survives in Tours, Bibliothèque municipale MS 1295, 451–521.
3 Kruckenberg, L., ‘Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages’, Journal of the American Musicological Society, 59 (2006), 243–317 CrossRefGoogle Scholar.
4 Higgins, Paula, ‘Speaking of the Devil and Discipuli: Eloy d’Amerval, Saint-Martin of Tours, and Music of the Loire Valley, ca. 1465–1505’, in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. Bloxam, M. Jennifer, Filocamo, Gioia and Holford-Strevens, Leofranc (Turnhout, 2009), 169–82, at 175CrossRefGoogle Scholar.
5 ‘A Courtly Lover and an Earthly Knight Turned Solider of Christ on Machaut's Motet 5’, Early Music History, 24 (2005), 169–211.