The material presented here summarizes information that has come to light in the last ten years regarding the repertory and practice of the Beneventan chant of southern Italy. The information itself is provided in tabular form; the commentary that precedes it gives some brief background and points out a few interesting details.

The Beneventan chant is one of those varieties of liturgical song that made the early medieval musical landscape so much more interesting than it later became, after the Carolingian urge to unity, combined with ecclesiastical reform, created a universal music that we now call Gregorian chant. Some of these early chant repertories have survived: the Ambrosian chant of Milan; the music of the Old Spanish liturgy. Others, like the Gallican chant, have disappeared.