Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-28T17:58:15.760Z Has data issue: false hasContentIssue false
  • English
  • Français

Mass of the Blessed Virgin Mary According to the Use of Salisbury, I: Introduction and Choir Book; II: Priest's Book, Directory and Ordinal, ed. John Harper with Sally Harper and Matthew Cheung Salisbury, Early English Church Music 59–60. London: Stainer & Bell for the British Academy, 2019. lxxxvi + 392 pp. £165. ISMN 979 0 2202 2556 7, ISBN 978 0 85249 937 3, ISSN 0424 0359.

Published online by Cambridge University Press:  05 August 2021

WILLIAM P. MAHRT
WILLIAM P. MAHRT*
Affiliation:
([email protected])
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Plainsong & Medieval Music , Volume 30 , Issue 1 , April 2021 , pp. 85 - 91
Check for updates
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Sarum books were printed in Paris for English book dealers; print-runs were about 600 each for four graduals and three missals.

2 Harper cites four graduals printed before 1500, but there are quite a few more; see Meyer-Baer, Kathi, Liturgical Music Incunabula: A Descriptive Catalogue (London, 1962)Google Scholar. The gradual attributed to Constance is definitely not from there; it is the first gradual ever printed and is without title page or colophon; its contents suggest a region east of Augsburg.

3 Harper, John is the author of The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century (Oxford, 1991)Google Scholar; for years, I sought unsuccessfully for accurate literature to give students on the liturgy; when this appeared it fulfilled every expectation and is still the best resource.

4 Harper, Sally, Barnwell, P. S. and Williamson, Magnus, eds., Late Medieval Liturgies Enacted: The Experience of Worship of Cathedral and Parish Church (Farnham, 2016)Google Scholar, www.experienceofworship.org.uk. The website includes videos of complete liturgical services that make the edition come even more to life.

5 Annunciation, Dormition (Assumption), Nativity and Ypapanti (Purification).

6 Identified by their introits: Rorate caeli for Advent, Vultum tuum for Christmas, and Salve sancta parens, for the normal year.

7 For all intents and purposes the Trinity Chapel was a ‘Lady Chapel’, but since the whole cathedral, that is, its high altar, was dedicated to the Blessed Virgin, the altar in the chapel could not be designated de BVM.

8 The Assumption, Visitation and the Nativity of Mary each celebrated an octave. The other three feasts, Conception, Purification and Annunciation, occurred in seasons when an octave would be impeded.

9 The Text is a ceremonial gospel book, which is not for the actual reading, but only carried in the procession, and given to each singer to kiss.

10 Rubric derives from ‘ruber’, red.