emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

elizabeth a. r. brown; nancy freeman regalado

doi:10.1017/S0961137105230231

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emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

Volume 14, Issue 2
elizabeth a. r. brown and nancy freeman regalado
DOI: https://doi.org/10.1017/S0961137105230231

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emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

Volume 14, Issue 2
elizabeth a. r. brown and nancy freeman regalado
DOI: https://doi.org/10.1017/S0961137105230231

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

Volume 14, Issue 2
elizabeth a. r. brown and nancy freeman regalado
DOI: https://doi.org/10.1017/S0961137105230231

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emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

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emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

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