1 ‘I codici melurgici della Vaticana e il contribuito alla musica bizantina del monachesimo greco della Magna Grecia’, Archivio storico par la Calabria e la Lucania 1 (1931), 225–248Google Scholar ; ‘La musica bizantina e i codici di melurgia della Biblioteca di Grottaferrata’, Accademie e biblioteche d'Italia 4 (1930–31), 355–69; and ‘I codici melurgici nella Biblioteca Universitaria di Messina, Archivio storico par la Calabria e la Lucania 23 (1954), 187–201Google Scholar .

2 Only publications containing primarily catalogues of Byzantine musical manuscripts have been included in this list, but in many cases general catalogues of Greek manuscripts have offered extremely valuable and competent descriptions of musical manuscripts, for example Herbert Hunger and others, with assistance by Christian Hannick, Katalog der greichischen Handschriften der Österreichischen Nationalbibliothek, 6 vols. (Vienna 1961–94). Though not a catalogue in a narrow sense, Nina-Maria Wanek's Nachbyzantinischer Gesang im Wandel. Studien zu den Musikhandschriften des Supplementum Graecum der Österreichischen Nationalbibliothek (Vienna, 2007) also deserves mention.

3 Κατάλογος τῶν χειρογράϕων τῆς Ἐθνικῆς Βιβλιοθήκης τῆς Ἑλλάδος, ἀρ. 1857–2500, Proceedings of the Academy of Athens 54 (Athens, 1991).

4 Two nineteenth-century manuscripts in Western staff notation are also included, EBE 960 and 1946.

5 EBE 59–64, 66–8, 78, 82, 91, 97, 124, 147, 163–7, 169–70, 172–3, 178–82, 185–91, 199, 202, 205, 2356.

6 E.g. EBE 2147.

7 See Bjarne Schartau, ed., Anonymous Questions and Answers on the Interval Signs, Monumenta Musicae Byzantinae, Corpus Scriptorum de Re Musica 4 (Vienna, 1998).