Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-22T05:25:49.561Z Has data issue: false hasContentIssue false

Catherine A. Bradley and Karen Desmond (eds.), The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies, Studies in Medieval and Renaissance Music 16. Woodbridge and Rochester, NY: Boydell and Brewer, 2018. xviii + 333 pp. £75. ISBN 978 1 78327 272 3.

Published online by Cambridge University Press:  09 April 2019

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press, 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Despite the claim that these are the ‘first four recordings of this evocative motet’ (p. 283), at least one other was executed and distributed before 1976: a 1958 recording of the work by Russell Oberlin et al., originally on the Expériences Anonymes label (EA-0035) and re-released in 1994 on CD as The French Ars Antiqua: Music of the Middle Ages, vol. 7 (New York: Lyrichord LEMS 8007), track 18, does not form part of the discussion.