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Intuition, Discursiveness and Aesthetic Alchemy

Published online by Cambridge University Press:  30 January 2009

Louis Arnaud Reid
Louis Arnaud Reid
Affiliation:
University of London Institute of Education
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Abstract

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Type
Discussion
Information
Philosophy , Volume 56 , Issue 215 , January 1981 , pp. 89 - 99
Copyright
Copyright © The Royal Institute of Philosophy 1981

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References

1 On ‘Feeling as cognitive’, see Reid, Louis Arnaud, Meaning in the Arts (London: Allen & Unwin, 1969), 143–150Google Scholar. Also Chapter IX and passim. Also Reid, , ‘Feeling, Thinking, Knowing’, Proceedings of the Aristotelian Society (1976–1977), 165–182Google Scholar.

2 On ‘Embodiment’, see Reid, Meaning in the Arts, 75–82, and passim.

3 I say ‘prima facie’ because I am not suggesting that these immediate aesthetic intuitions do not have their associational or other psychological and cultural background and causes.

4 Moore, Henry, in Henry Moore Sculpture (London: Macdonald, 1966)Google Scholar.

5 Ibid.

6 Ibid., 57.

7 Ibid., 50.

8 Ibid., 68.

9 Bosanquet, , Three Lectures on Aesthetic (London: Macmillan, 1915)Google Scholar.