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Poetry and Prose in the Arts (II)

Published online by Cambridge University Press:  25 February 2009

Extract

So far I have taken prose and poetry where admittedly they exist, in literature, and attempted to discover the difference between them by taking pieces of prose or poetry which have the same or much the same subjects and comparing them with one another. In all these pairs of passages I thought I could detect this difference: that in the poem the subject as rendered in words (for the poem is words and nothing else) acquires a life of its own, is a living thing, as it were, living its own life like an animal or plant, is organic, and, in a word, concrete. While the prose, for all its constructive unity, is not self-subsistent, but is descriptive of a given subject, even though that subject is itself created by the writer, as in a novel, and, in a word, is analytic. It is not the greater passion or vividness of the poem, for prose may be vivid, as in Carlyle, and passionate, as in Burke. It is that the poet places himself and places his hearer within the subject itself, and works from within outwards, while the prosaist describes relatively from without. Both of them describe, the poet as well as the prosaist. But the prosaist builds up his subject so as to bring it before your mind. The poet starts with his subject in its integrity, places the hearer's mind within it, and his exposition is the unfolding life of the subject itself.

Type
Articles
Copyright
Copyright © The Royal Institute of Philosophy 1932

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References

page 153 note 1 The following was the basis of a lecture to the British Institute of Philosophy given in November 1931.

page 158 note 1 Or, I might add, the Daumier picture of the St. Lazare railway station, which is reproduced in Mr. Roger Fry's Transformations; or the other Daumiers which were shown in the recent French exhibition.

page 166 note 1 E.g., the Good Friday music in Parsifal.