Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-20T05:46:23.980Z Has data issue: false hasContentIssue false
  • English
  • Français

Pietro Santi Bartoli: Drawings in Glasgow University Library after Roman Paintings and Mosaics

Published online by Cambridge University Press:  09 August 2013

Claire Pace
Get access

Pietro santi bartoli = disegni nella biblioteca dell'università di glasgow dopo i dipinti e mosaici romani

Questo articolo descrive il risveglio d'interesse nell'antica pittura romana nel diciassettesimo secolo a Roma. Sono discusse le figure principali, come: Cassiano dal Pozzo, Cardinal Camillo Massimi, il critico e antiquario G. P. Bellori, e l'artista Pietro Santo Bartoli. I volumi dei disegni ad acquarello, copie di antichi dipinti e mosaici romani, opera di Bartoli (ripubblicati in forma d'incisione con commento di Bellori) furono prima molto stimati poi degradati in Gran Bretagna specialmente nel diciottesimo secolo. Collezioni di tali disegni (di Bartoli e suo figlio) sono specificati a Eton, Windsor e Holkham. Un volume di acquarelli di Bartoli, posteriore ai dipinti e mosaici romani, dedicato al Cardinale Massimi, è stato recentemente trovato nella Biblioteca dell'Università di Glasgow. Questo volume e la sua probabile provenienza, sono trattati in questo articolo nel contesto della raccolta del 18° secolo.

I singoli disegni nel volume sono poi elencati con una breve descrizione riportando le misure e un'indicazione dell'origine e soggetto quando queste sono note. Materiale paragonabile (ad es. disegni simili di altre collezioni inglesi, incisioni ecc.) è riportato dopo ciascuna registrazione.

Type
Research Article
Information
Papers of the British School at Rome , Volume 47 , November 1979 , pp. 117 - 155
Copyright
Copyright © British School at Rome 1979

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Andreae, Bernard. ‘Studien zur Römischen Grabkunst’, Mitteilungen des Deutschen Archeologischen Instituts, Heidelberg, 1963 (Taf. 41–70).Google Scholar
Ashby, Thos. ‘Thomas Jenkins in Rome’, PBSR vi (1913), 487–511.Google Scholar
Ashby, Thos. ‘Drawings of ancient paintings in English collections’, I, PBSR vii (1914), 1–62 (Eton).Google Scholar
Ashby, Thos. ‘Drawings of ancient paintings in English collections’, II–IV, PBSR viii (1916), 35–54 (Holkham, Baddeley, Chatsworth).Google Scholar
Bartoli, P. S.Gli antichi sepolcri …, Rome, 1697.Google Scholar
Bastet, F. L. article in Bulletin Antieke Beschaving, xlv–xlvii (1972), (on Domus Transitoria).Google Scholar
Becatti, C.Scavi d'Ostia, VI, pl. LXXXIII (Hylas and nymphs).Google Scholar
Bellori, G. P.Le Vite de' pittori, scultori, ed architetti moderni … Rome, 1672.Google Scholar
Bellori, G. P.Admiranda romanarum antiquitatum ac veteris sculpturae vestigia, (with Bartoli, P. S.), before 1692.Google Scholar
Bellori, G. P.Le Antiche lucerne sepolcrali figurate … Rome, 1691 (with Bartoli, P. S.).Google Scholar
Bellori, G. P.Le Pitture antiche del sepolcro de' Nasonii, Rome, 1680 (with Bartoli, P. S.).Google Scholar
Bellori, G. P.Le Pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii, Rome, 1706 (with Bartoli, P. S., Bartoli, Francesco, and de la Chausse, M. A.).Google Scholar
Bellori, G. P.Fragmenta vestigii veteris Romae … Rome, 1673 (with Bartoli, P. S.); cf. esp. fourth ed., as Ichnographia veteris Romae xx tabulis comprehensa, 1764.Google Scholar
Bellori, G. P.Le Vite inedite (ed. Piacentini, M.), Rome, 1942.Google Scholar
Blunt, A. F. ‘The Massimi Collection of Poussin Drawings in the Royal Library at Windsor Castle’, Master Drawings, xiv, 1976.Google Scholar
Blunt, A. F. ‘Don Vincenzo Vittoria’, Burlington Mag., cix (1967), 31–32.Google Scholar
Blunt, A. F.Nicolas Poussin (3 vols), London and New York, 1966–1967.Google Scholar
Cameron, Charles. The Baths of the Romans explained and illustrated, London, 1772.Google Scholar
Caylus, Comte de.Avertissement to Recueil de peintures antiques (ed. Mariette, P. J.), Paris, 1757;Google Scholar
repr. AAF, vi (1859–1860), 169 ff.Google Scholar
Ciampini, Giov.Vetera Monimenta in quibus praecipuè musiva opera … illustrantur, Rome, 1690–1699.Google Scholar
Colini, A. M. ‘Storia e topografia del Celio nell'antichità’, Memorie della Pont. Accad. Romana di Archeologia, vii (1944), 208–9 and note 36.Google Scholar
Dacos, N.La Découverte de la Domus Aurea et la formation des grotesques à la Renaissance, Studies of Warburg Inst., Leiden, 1969.Google Scholar
Davis, S. JrLord Poulett's Paintings in Georgia, Decatur, Georgia, 1978.Google Scholar
Dempsey, C. ‘The Classical Perception of Nature in Poussin's Earlier Works’, JWCI, xxix (1966.)Google Scholar
Donahue, K. ‘The Ingenious Bellori’, Marsyas, iii (1945).Google Scholar
Dubos, J. B.Réflexions critiques sur la poésie et sur la peinture, 6th ed. 1755 (Vol. I, 336 ff. esp. 346–7).Google Scholar
Engelmann, R.Antike Bilder aus Römische Handschriften, Leiden, 1909 (Corsini, Vatican, Baddeley).Google Scholar
Fea, C. D. I.Miscellanea filologica antica & antiquaria, Rome, 1790–1836.Google Scholar
Fleming, J. ‘Cardinal Albani's Drawings at Windsor: their purchase by James Adam for George III’, Connoisseur, cxlii, Nov. 1958.Google Scholar
Friedländer, W.Nicolas Poussin: A New Approach, London, 1966.Google Scholar
Furietti, J. A.De Musivis, Rome, 1752.Google Scholar
Graevius, J. G.Thesaurus antiquitatum romanorum, Lugd. Bat., 1694–1699.Google Scholar
Haskell, F.Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque, London, 1963 (esp. 114–19).Google Scholar
Haskell, F.(with Rinehart, S.) ‘The Dal Pozzo Collection: Some New Evidence’, Burl. Mag., cii, 1960.Google Scholar
Holstenius, L. (Hollstein). Vetus Pictura Nymphaeum referens commentariolo explicata a L. Hostenius, Rome, 1676.Google Scholar
Hübner, E.Die Antiken Bildwerke in Madrid, Berlin, 1862.CrossRefGoogle Scholar
La Chausse, M. A. de.Romanum Museum, Rome, 1690.Google Scholar
Lanciani, R.Pagan and Christian Rome, London, 1892.Google Scholar
Lanciani, R. ‘Le Picturae antiquae cryptarum Romanarum’, Bull, comm., xxiii (1895), 165–92 (Windsor, Eton, Corsini MSS).Google Scholar
Lanciani, R.The Destruction of Ancient Rome, London, 1899.Google Scholar
Lanciani, R.Storia degli scavi di Roma e notizii intorno le collezioni romane di antichità, Rome, 1902–1913.Google Scholar
Lanciani, R.The Ruins and Excavations of Ancient Rome, London, 1897.Google Scholar
Mandowsky, E. (and Mitchell, C.) Pirro Ligorio's Roman Antiquities, Studies of the Warburg Institute, 28, (1963).Google Scholar
Mariette, P. J.Recueil de Peintures antiques … Paris, 1757 (with Avertissement by Comte de Caylus).Google Scholar
Matz, F.(with Duhn, F. von) Antike Bildwerke in Rom, 3 vols. Leipzig, 1881–1882.Google Scholar
Mead. MUSEUM MEADIANUM sive Catologus nummorum veteris aevi monumentorum ac gemmarum … quae Richardus Mead … per defunctus compareverat, London, 1754–1755.Google Scholar
Michaelis, Adolf. ‘Das Grabmal der Nasonier’, Jahr. des. Inst., xxv (1910), 101–26 (Windsor: Nettuno, Vittoria Pf.s.).Google Scholar
Michaelis, Adolf.Ancient Marbles in Great Britain, Cambridge, 1882.Google Scholar
Mirri, L.(with Carletti, G.) Le antiche camere delle Terme di Tito e le loro pitture, Rome, 1776.Google Scholar
Montfaucon, B. de.L'Antiquité expliquée et représentée en figures, 5 vols., Paris, 1719–1724.Google Scholar
Montfaucon, B. de.Supplément au livre de l'antiquité expliquée, Paris, 1724.Google Scholar
Morey, C. R.Lost Mosaics and Frescoes of Rome of the Medieval Period, Princeton, N.J., 1915.Google Scholar
Nash, E.Pictorial Dictionary of Ancient Rome, London, 1961.Google Scholar
Nogara, B.Le Nozze Aldobrandini, Leipzig, 1907.Google Scholar
Pascoli, L.Vite de' pittori, scultori, ed architetti. Rome, 1730.Google Scholar
Pascoli, L.Vite de' pittori, scultori, ed architetti perugini, Rome, 1732.Google Scholar
Perrier, F.Icones et segmenta … Paris, 1645.Google Scholar
Phillips, K. M. The Barberini Mosaic, unpublished Ph.D. dissertation, Princeton, 1962.Google Scholar
Ponce, N.Description des bains de Titus, Paris, 1786.Google Scholar
Reinach, S.Répertoire de peintures grecques et romaines, Paris, 1922.Google Scholar
Röthlisberger, M.Claude Lorrain: The Paintings, New Haven, 1961.Google Scholar
Röthlisberger, M.Claude Lorrain: The Drawings, Berkeley & Los Angeles, 1968.Google Scholar
Spon, J.Recherches curieuses de l'antiquité, Lyon, 1683.Google Scholar
Stern, H. ‘Les Mosaïques de Ste-Costanze à Rome’, Dumbarton Oaks Papers, 12, Cambridge, Mass. 1958, 157 ff.Google Scholar
Trapp, J. B. ‘Ovid's Tomb’, JWCI, xxxvi (1973).Google Scholar
Turnbull, G.A Curious Collection of Ancient Paintings, London, 1741.Google Scholar
Turnbull, G.A Treatise on Ancient Painting, London, 1740.Google Scholar
Venturi, A.Storia dell'arte Italiana, Milan, 1901 onwards.Google Scholar
Vermaseren, M. J.Corpus inscriptionum et monumentorum regionis Mithraicae, The Hague, 1956.CrossRefGoogle Scholar
Vermeule, C. ‘Aspects of Scientific Archeology in the 17th Century’, Proceedings of the American Philosophical Society, cii, No. 2, April 1958, 193–214.Google Scholar
Vermeule, C. ‘The Dal Pozzo—Albani Drawings of Classical Antiquity’, Art Bulletin, xxxviii (1956), 31–44.Google Scholar
Vermeule, C. ‘The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum’, Transactions of the American Philosophical Society, n.s., 1, 5, and lvi, 2 (1960–1966).Google Scholar
Waetzoldt, S.Die Kopien des 17 Jahrhunderts nach Mosaiken und Wandmalerein in Rom, Veröfftlichung der Bibliotheca Hertziana, 18, Vienna, 1964.Google Scholar
Weege, F.Das Goldene Haus des Nero, Berlin, xxviii 1913;Google Scholar
publ. in Jahrbuch des Deutsches Arch. Inst., xxviii (1913), 127–244.Google Scholar
Whitehouse, H.The Dal Pozzo Copies of the Palestrina Mosaic, BAR Supplementary Series xii, 1976.Google Scholar
Wilpert, J.Die Römischen Mosaiken und Malereien, Freiburg-i.-Breisgau, 1924.Google Scholar
Wincklemann, J. von.Monumenti antichi inediti, Rome, 1767.Google Scholar
Winn, C. G.The Pouletts of Hinton St. George, London, 1976.Google Scholar
Woodward, B. B. ‘Drawings of Pietro Santi Bartoli in the Royal Collection, Windsor Castle’, The Gentleman's Magazine, 1866, I, 29–36.Google Scholar