Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-06T02:43:35.375Z Has data issue: false hasContentIssue false
  • English
  • Français

A Foreign Motif in Etruscan Jewellery

Published online by Cambridge University Press:  09 August 2013

William Culican
Get access

Extract

The purpose of this paper is to document and discuss some less well known pieces of Etruscan jewellery decorated in the granulated style of the Orientalising period, with special reference to a curious motif occurring on jewels from Praeneste and elsewhere. Although the origin of the motif remains obscure it is almost certainly foreign and is very likely of Phoenician origin. Study of it appears to indicate the impact on Etruscan art of a very highly specialised iconography of which a single Oriental specimen survives.

The motif is found in its simplest—and probably most degenerate—form on pendants embossed with female daemon heads, ending below in a rounded striated boss which resembles a fan-palmette or scallop shell attached below the woman's face. Praeneste jewellery is particularly rich in these. The necklace 1449 of Marshall's Catalogue (Marshall, 1911) has nine stumpy pendants in this form, each consisting of two embossed plaques soldered back to back. The curling side-locks of the fat-faced women are clearly seen. This necklace comes from Praeneste as does necklace 1453 of Marshall's Catalogue (at present mounted with a glass face bead of Phoenician type) where the details of the ‘palmette’ have been picked out in fine granules. Hathoric curled locks are clearly shown on either side of the head, and a ribbed collar separates the head from the shell-like ornament below.

Type
Research Article
Information
Papers of the British School at Rome , Volume 39 , November 1971 , pp. 1 - 12
Copyright
Copyright © British School at Rome 1971

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

André Emmerich Gallery Inc., Art of Ancient Italy (New York, 1970).Google Scholar
Becatti, G., Oreficerie antiche dalle minoiche alle barbariche (Rome, 1955).Google Scholar
Barnett, R. D., A Catalogue of the Nimrud Ivories (London, 1957).Google Scholar
von Bissing, F. W., ‘Materiali archeologici orientali’, St. Etr., vi (1932), 443–57 and xiii (1939), 447–54.Google Scholar
Boardman, J., ‘Ionian Bronze Belts’, Anatolia, vi (1961), 179 ff.Google Scholar
Boardman, J., ‘An Anatolian Greek Belt Handle’, Anatolian Studies, xvi (1966), 193–4.CrossRefGoogle Scholar
Boardman, J., ‘The Khaniale Tekke Tombs’, BSA, lxii (1967), 57–76.Google Scholar
Brown, W. L., The Etruscan Lion (Oxford, 1960).Google Scholar
Camporeale, G., ‘Un affibbiaglio etrusco di bronzo’, Boll. d'Arte (1966), 1–2, 66–68.Google Scholar
Coche de la Ferté, E., Les Bijoux Antiques (Paris, 1956).Google Scholar
Curtis, C. Densmore, ‘The Barberini Tomb’, MAAR, v (1925), 9–25.Google Scholar
Dunbabin, T. J. (Ed.), Perachora, II (Oxford, 1962).Google Scholar
Falchi, I., Vetulonia e la sun Necropoli Antichissima (Florence, 1891).Google Scholar
Gabrici, E., ‘Bolsena. Scavi nel Sacellum della dea Nortia sul Pozzarello,’ Mon. Ant., xvi (1906), 169–240.Google Scholar
Garrucci, R., ‘Sepulchral Remains at Veii and Praeneste,’ Archaeologia, xli (1867), 275 ff.Google Scholar
Ghirshman, R., Persia, from the Origins to Alexander the Great (London, 1964).Google Scholar
Giglioli, G., Storia dell'Arte Etrusca (Milan, 1935).Google Scholar
Hanfmann, G., Altetruskische Plastik, I (Wurzburg, 1936).Google Scholar
Hus, Alain, Recherches sur la statuaire en pierre étrusque archaique (Paris, 1961).Google Scholar
Jacobsthal, P., Greek Pins (Oxford Monographs on Classical Archaeology, Oxford, 1956).Google Scholar
Jenkins, R. J. H., Daedalica (Cambridge, 1936).Google Scholar
Karo, G., Le Oreficerie di Vetulonia, I and II (Studi e Materiali di Archeologia, etc. Florence, 1899, 1901).Google Scholar
Karydi, H., ‘Ein naxische Goldenhanger in Berlin.’ Arch. Anz. (1964), 266–285.Google Scholar
Laws, G. A., ‘An Herodotean Echo in Pompeian Art?,’ AJA, lxv (1961), 31 ff.CrossRefGoogle Scholar
Levi, Doro, ‘Gleanings from Crete,’ AJA, xlix (1945).Google Scholar
Marshall, F. H., A Catalogue of the Jewellery, Greek, Etruscan and Roman, in the British Museum (London, 1911).Google Scholar
Mengarelli, R., ‘Caere e le recenti scoperte’, St. Etr., i (1927), 145–71.Google Scholar
Minto, A., Populonia, la necropoli arcaica (Florence, 1922).Google Scholar
Montelius, O., La Civilisation primitive en Italie (Stockholm, 1895).Google Scholar
Mühlestein, H., Die Kunst der Etrusker (Berlin, 1929).Google Scholar
Pétrov, V. P. and Makarévich, M. L., ‘Skifskaya Geneologycheskaya Legenda,’ Sovjetskaya Arkheologia (1963), 20–31.Google Scholar
Pinza, G. (Ed.), Materiali per la etnologia antica toscano-laziale (Museo Etrusco Gregoriano; Milan, 1915).Google Scholar
Poulsen, P. E. S., Der Orient und die frühgriechische Kunst (Leipzig, 1912).Google Scholar
Maclver, D. Randall, Villanovans and Early Etruscans (Oxford, 1924).Google Scholar
de Ridder, A. H. P., Bijoux antiques du Louvre (Paris, 1924).Google Scholar
Rostovtzeff, M., Iranians and Greeks in S. Russia, (Oxford, 1922).Google Scholar
Talocchini, Anna, ‘Oreficerie e vasetto configurato del Circolo dei Leoncini,’ St. Etr., xxxi (1963), 67–89.Google Scholar