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Sound morphology and the articulation of structure in electroacoustic music

Published online by Cambridge University Press:  07 June 2004

JOHN YOUNG
Affiliation:
Music, Technology and Innovation, De Montfort University, Leicester LE1 9BH, UK E-mail: [email protected]

Extract

A catalyst for the thinking in this paper is the way in which the concentrated direct audition of materials central to the process of electroacoustic composition can, in conjunction with powerful tools for the deconstruction and synthesis of sounds, influence the nature of musical relationships that are formed.

Type
Research Article
Copyright
© Cambridge University Press 2004

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