Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-22T12:26:43.352Z Has data issue: false hasContentIssue false
  • English
  • Français

(Re) Presenting electroacoustic music

Published online by Cambridge University Press:  14 August 2006

PIERRE COUPRIE
PIERRE COUPRIE
Affiliation:
OMF-MINT Université de Paris IV - Sorbonne and MTI Research Centre, De Montfort University, 5 rue Crespin du Gast, 75011 Paris, France. E-mail: [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

Art always does more than subsist upon technical progress; for centuries its practice has merged with it, and we should never forget that the first meaning of the word art was technê. However, never before has the relationship between art and technology raised so many questions and provoked so much misunderstanding. As a matter of fact, at the same time as the frontiers of technique continue to recede, the frontiers of art seem more and more difficult to grasp. (Couchot and Hillaire 2003: 15)

Type
Articles
Information
Organised Sound , Volume 11 , Issue 2 , August 2006 , pp. 119 - 123
Copyright
Cambridge University Press 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)