Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-22T06:01:36.524Z Has data issue: false hasContentIssue false

Loop-interpolation-random & gesture: déjà vu in computer-aided composition

Published online by Cambridge University Press:  08 June 2001

SILVIO FERRAZ
Affiliation:
Laboratório de Linguagem Sonora, Pontifícia Universidade Católica de São Paulo, Rua João Ramalho, 182–7° Andar. Perdizes, São Paulo, Brazil Email: [email protected] [email protected]
LEONARDO ALDROVANDI
Affiliation:
Laboratório de Linguagem Sonora, Pontifícia Universidade Católica de São Paulo, Rua João Ramalho, 182–7° Andar. Perdizes, São Paulo, Brazil Email: [email protected] [email protected]

Abstract

Starting from a distinction between music creation and sound or pre-established methods of form and sound manipulation, this paper discusses the use of some typical procedures in computer-aided composition. A critique of common-sense procedures sets out to show that musical creativity may be threatened and put at risk in the name of a community's immediate acceptance of what is considered to be of musical value.

Type
Research Article
Copyright
© 2000 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)