The two preceding issues within Vol. 2 of Organised Sound have focused upon the time and frequency domains, so it is perhaps appropriate that we now consider the analysis–synthesis paradigm which inevitably unites them. More specifically, the analysis and synthesis theme brings together discussions of the time and frequency domains under the umbrella of professional musical practice within the musicological, compositional, performance or technological realms. It is a theme which is inextricably linked to the working practice of many within the field, and one which has particular resonance for musical work.