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Deleuze, Cinema and Acousmatic Music (or What If Music Weren’t an Art of Time?)

Published online by Cambridge University Press:  30 June 2016

Nicolas Marty
Nicolas Marty*
Affiliation:
Université Paris-Sorbonne, 1 rue Victor Cousin, 75005 Paris, France
*
*Email: [email protected]
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Abstract

Drawing on Deleuze’s work about cinema (the ‘movement-image’ and the ‘time-image’), this article explores formal and aesthetic resonances with sound-based music, distinguishing between aesthetics of energy, articulation and montage, and aesthetics of contemplation, space and virtual relations. A second perspective is given, focusing on how listening behaviours may impose a ‘movement-image’ or a ‘time-image’ lens through which we could experience and remember a work’s form. This is exemplified with a short analysis of the first section of Chat Noir (1998–2000) by Elizabeth Anderson.

Type
Articles
Information
Organised Sound , Volume 21 , Special Issue 2: Situating the Avant–Garde: Conformity and oppositional culture , August 2016 , pp. 166 - 175
Copyright
© Cambridge University Press 2016 

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