Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T04:41:57.505Z Has data issue: false hasContentIssue false

Computer music animations

Published online by Cambridge University Press:  11 January 2001

Jøran Rudi
Affiliation:
Norwegian Network for Technology, Acoustics and Music (NoTAM), University of Oslo, P.O. Box 1137 Blindern, N-0317 Oslo, Norway [email protected] http://www.notam.uio.no/∼joranru

Abstract

Electroacoustic music, since its inception, has been situated in a cross-disciplinary no-man's-land, with areas of interest spread in many directions; from ideas of musical structures ordered through traditional pitch-classes to research on physical modelling and analysis of sound and compositional structures through the use of neural networks. Much of the material found in computer music has been developed through processes of appropriation, both from sound recordings of physical events and from the application of various principles found in the natural sciences.

Type
Research Article
Copyright
© 1998 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)