Sound and Video examples from this issue 27 (2) can be found online at the journal’s website: www.journals.cambridge.org/OSO.

James Andean

Group Performance Paradigms in Free Improvisation

1 Sound example:

Sound Example 1: VCA ‘Umlaut’ – 7′57″

Pierre Couprie

Analytical Approaches to Electroacoustic Music Improvisation

2 Sound examples:

Sound Example 1: Les Phonogénistes, extract of improvisation – 0′36″

Sound Example 2: Les Phonogénistes, extract of improvisation – 6′02″

3 Video examples:

Video Example 1: Les Phonogénistes, extract of improvisation, self-similarity visualisation – 6′02″

Video Example 2: Les Phonogénistes, extract of improvisation, comparison of self-similarity matrix – 7′18″

Video Example 3: Les Phonogénistes, extract of improvisation, self-similarity visualisation of the three musicians – 12′14″

John Richards and Tim Shaw

Improvisation through Performance-installation

1 Sound example:

Sound Example 1: IKLECTIK – Points of Failure – 49′28″

1 Video example

Video Example 1: Sacrificial Floors – 12′11″

Matthew Noone

Electroacoustic Improvisation and the Metaphysical Imaginary

2 Sound examples:

Sound Example 1: WOOD – 5′07″

Sound Example 2: STONE – 5′23″

Alex White

Unstable Structure: The improvising modular synthesiser

1 Sound example:

Sound Example 1: Palm Pushed against Cold Metal Handrail on Stairway, Transductions, Room40 recordings 2020 – 9′57″

Filipa Magalhães

Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville

3 Video examples:

Video Example 1: Prologue and Intervention 1 from Double (1982) by Constança Capdeville – 5′14″

(An analysis of the aural structure of both parties using iAnalyse)

Video Example 2: Intervention 4 from Double (1982) by Constança Capdeville – 1′42″

(An analysis of the aural structure of the complete Intervention 4 using iAnalyse)

Video Example 3: Intervention 5 (Do you know Mr. Jones?) from Double (1982) by Constança Capdeville – 1′49″

(An analysis of the aural structure of the complete Intervention 5 using iAnalyse)

Frederic Anthony Robinson, Mari Velonaki and Oliver Bown

Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction

2 Video examples

Video Example 1: Approaching the Robot – 1′30″

Video Example 2: Interactions with the Engine – 1′00″

1 Sound example:

Sound Example 1: Three Utterances – 0′13″