Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-28T17:19:50.797Z Has data issue: false hasContentIssue false

Shaken or stirred – virtual reverberation spaces and transformative gender identities in Kaija Saariaho's NoaNoa (1992) for flute and electronics

Published online by Cambridge University Press:  19 January 2004

Taina Riikonen
Affiliation:
University of Turku, Department of Musicology, Arwidssoninkatu 1, 20100 Turku, Finland E-mail: [email protected]

Abstract

Kaija Saariaho's NoaNoa for flute and electronics consists of two materials: the live flute part and the electronic component, which can be further divided into real-time and pre-recorded material. The sound mixtures of live instrument, pre-recorded material, and real-time electronics create diverse instrumental positions, which also have effects on the musician's experiences of self and gender. This article examines the live flautist's embodied identity during the real-time reverberation and the pre-recorded part. Different performances of NoaNoa by different performers introduce diverse embodied flautist identities where the negotiations of gender and self are constantly redefined.

Type
Research Article
Copyright
© 2003 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
Supplementary material: File

Riikonen supplementary materials

Riikonen supplementary materials
Download Riikonen supplementary materials(File)
File 2.1 MB