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Narrative Modes in Acousmatic Music

Published online by Cambridge University Press:  11 November 2016

James Andean*
Affiliation:
Music, Technology and Innovation Research Centre, De Montfort University, Leicester LE1 9BH

Abstract

Beginning with a brief overview of acousmatic narrative, this article proposes that in listening to acousmatic music we select and move between distinct narrative modes, according to the requirements and implications of a given work, or shifting between modes as the work progresses. Similarities and differences with existing theory are considered. Ten narrative modes are proposed as relevant for acousmatic music and discussed. Finally, the appearance of narrative archetypes across multiple modes is considered, as well as similarities across other musics and other fields.

Type
Articles
Copyright
© Cambridge University Press 2016 

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