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Homoeroticism and electroacoustic music: absence and personal voice
Published online by Cambridge University Press: 19 January 2004
Abstract
The absence of gay themes and homoeroticism in electroacoustic music is discussed within the context of issues of gender and music that have been raised in the last decade. The author's emerging body of work that deals with these issues suggests possible uses of voice, text, video and music theatre within an electroacoustic language to portray sexuality and desire.
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- Research Article
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- © 2003 Cambridge University Press
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