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Developing a rhythmic performance practice in music for piano and tape

Published online by Cambridge University Press:  17 November 2006

SHIAU-UEN DING
SHIAU-UEN DING
Affiliation:
University of Cincinnati, College-Conservatory of Music, 2316 Ohio Avenue, Apartment #110, Cincinnati, OH 45219, USA. E-mail: [email protected]
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Abstract

There are many excellent works for piano and tape; however, there have been an insufficient number of pianists widely performing these works. The purpose of this article is to critically analyse the rhythmic relationships between piano and tape, serving a pedagogical function for both composers and pianists in technical and aesthetic terms. Hopefully these techniques will encourage pianists to include music for piano and tape as part of their repertoire.

Type
Articles
Information
Organised Sound , Volume 11 , Issue 3 , December 2006 , pp. 255 - 272
Copyright
Cambridge University Press 2006

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Footnotes

For the purposes of this paper, ‘tape’ is used as a general term designating a fixed format. Originally recorded and played back on magnetic tape, pre-recorded media now usually refers to CD format. In contrast to real-time sound processing, the tape part is fixed.