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Steven Huebner and François de Médicis, eds, Debussy's Resonance (Rochester, NY: University of Rochester Press, 2018). xiv + 625 pp. £95.

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Steven Huebner and François de Médicis, eds, Debussy's Resonance (Rochester, NY: University of Rochester Press, 2018). xiv + 625 pp. £95.

Published online by Cambridge University Press:  07 May 2020

Alexandra Kieffer
Alexandra Kieffer*
Affiliation:
Rice [email protected]
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Type
Book Review
Information
Nineteenth-Century Music Review , Volume 18 , Special Issue 1: The Digital Humanities and Nineteenth-Century Music , April 2021 , pp. 151 - 155
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Copyright
Copyright © Cambridge University Press, 2020

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References

1 Debussy, Claude, Correspondance 1872–1918, ed. Lesure, François and Herlin, Denis (Paris: Gallimard, 2005)Google Scholar and Branger, Jean-Christophe, Douche, Sylvie and Herlin, Denis, eds, Pelléas et Mélisande: Cent ans après: études et documents (Lyon: Symétrie Recherche, 2002)Google Scholar.

2 Pasler, Jann, ‘Debussy the Man, His Music, and His Legacy: An Overview of Current Research’, Notes 69/2 (2012): 200CrossRefGoogle Scholar.

3 Fauser, Annegret, Musical Encounters at the 1889 Paris World's Fair (Rochester, NY: University of Rochester Press, 2005)Google Scholar and Pasler, Jann, Composing the Citizen: Music as Public Utility in the Third Republic (Berkeley: University of California Press, 2009)CrossRefGoogle Scholar. Tamara Levitz has also recently discussed issues of race and identity in France in this period as they relate to the premiere of Stravinsky's Rite of Spring. See ‘Racism at the Rite’, in The Rite of Spring at 100, ed. Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef (Bloomington: Indiana University Press, 2017): 146–78.