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Published online by Cambridge University Press: 13 April 2011
1 See Hamilton, Kenneth, After the Golden Age: Romantic Pianism and Modern Performance (Oxford: Oxford University Press, 2008): esp. 101–38.Google Scholar
2 Letter of Karl Klingemann to Fanny Mendelssohn, 19 August 1829, in Hensel, Sebastian, Die Familie Mendelssohn I, 14th ed. (Berlin: Georg Reimer, 1911): 242Google Scholar.
3 Little, William, Mendelssohn and the Organ (Oxford: Oxford University Press, forthcoming 2010).CrossRefGoogle Scholar
4 Händel, Georg Friedrich, arr. Bartholdy, Felix Mendelssohn, Israel in Ägypten, Hermann Max, the Rheinische Kantorei, and the Kleine Konzert (CPO 777 222–2, 2009).Google Scholar
5 Cooper does not draw a direct parallel to Mendelssohn's strong musical/visual connection, but for more on this topic see Todd, R. Larry, ‘On the Visual in Mendelssohn's Music’, in Mendelssohn Essays (New York: Routledge, 2007): 81–92Google Scholar.