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Sarah Collins, ed., Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge: Cambridge University Press, 2019). xiii + 254 pp. £75.00.
Published online by Cambridge University Press: 13 August 2021
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- Copyright © The Author(s), 2021. Published by Cambridge University Press
References
1 Most notably McGuire, Charles Edward, Music and Victorian Philanthropy: The Tonic Sol-Fa Movement (Cambridge: Cambridge University Press, 2009)Google Scholar and Golding, Rosemary, Music and Academia in Victorian Britain (Farnham: Ashgate, 2013)Google Scholar.
2 Recent scholarship includes Matthew Riley, ‘Liberal Critics and Modern Music in the Post-Victorian Age’, in British Music and Modernism 1895–1960, ed. Matthew Riley (Farnham: Ashgate, 2010), 13–30; Weliver, Phyllis, Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (Cambridge: Cambridge University Press, 2017)CrossRefGoogle Scholar; Zon, Bennett, Evolution and Victorian Musical Culture (Cambridge: Cambridge University Press, 2017)CrossRefGoogle Scholar; Zon, Bennett, ‘Spencer, Sympathy and the Oxford School of Music Criticism’, in British Music Criticism and Intellectual Thought 1850 to 1950, ed. Dibble, Jeremy and Horton, Julian (Woodbridge: Boydell & Brewer, 2018), 38–63CrossRefGoogle Scholar.
3 Referencing George Dangerfield, The Strange Death of Liberal England, a landmark study first published in 1935.