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Roberta Montemorra Marvin and Hilary Poriss, eds., Fashions and Legacies of Nineteenth-Century Italian Opera. (Cambridge: Cambridge University Press, 2010). xviii+283 pp. £55.00.

Published online by Cambridge University Press:  24 May 2012

Diana R. Hallman
Diana R. Hallman*
Affiliation:
University of Kentucky
*
[email protected]
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 9 , Issue 1: Theoretical and Critical Contexts in Nineteenth-Century Performance Practice , June 2012 , pp. 127 - 131
Copyright
Copyright © Cambridge University Press 2012

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References

1 This essay connects with some aspects of Poriss's dissertation on singers’ interpolations of favoured ‘trunk arias’ in bel canto operas, ‘Artistic License: Aria Interpolation and the Italian Operatic World, 1815–1850’ (Ph.D. diss., University of Chicago, 2000) and book, Changing the Score: Arias, Prima Donnas, and the Authority of Performance (Oxford: Oxford University Press, 2009).