Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T06:16:42.516Z Has data issue: false hasContentIssue false
  • English
  • Français

Robert Tallant Laudon, The Dramatic Symphony: Issues and Explorations from Berlioz to Liszt (Hillsdale, NY:Pendragon, 2012). ix + 156. pp. $46.00.

Published online by Cambridge University Press:  17 June 2015

Eftychia Papanikolaou
Eftychia Papanikolaou*
Affiliation:
Bowling Green State [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 12 , Issue 1 , June 2015 , pp. 128 - 131
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 For a translation see Holoman, D. Kern, Berlioz (Cambridge: Harvard University Press, 1989)Google Scholar: 261. Berlioz's foreword is printed in full in The New Berlioz Edition (general ed. Hugh Macdonald), vol. 18, ed. Holoman, Kern, Roméo et Juliette (Kassel: Bärenreiter, 1990)Google Scholar: 2.

2 In that respect see Holoman, , Berlioz, 262–263Google Scholar. The consensus among scholars is that the work consists of seven movements; see also Rushton, Julian, Roméo et Juliette (Cambridge: Cambridge University Press, 1994)CrossRefGoogle Scholar: 6.

3 Frédéric Robert, ‘Reber, (Napoléon-)Henri’, in Grove Music Online (accessed 1 December 2013).

4 Taking into consideration the work's performing forces (for solo tenor, choir and a speaker/recitation), secular oratorio seems to be a more apt generic designation; See Locke, Ralph P., Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009)Google Scholar: 19, 152.

5 Among others see Kallberg, Jeffrey, ‘The Rhetoric of Genre: Chopin's Nocturne in G Minor’, 19th-Century Music 11/3 (1988): 238–261CrossRefGoogle Scholar.