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Irena Poniatowska, Magdalena Dziadek, Irina Nikolskaya, Joachim Draheim, Marie-Paule Rambeau, Rosalba Agresta, eds, Chopin and his Critics: An Anthology (Up to World War I) (Warsaw: The Fryderyk Chopin Institute, 2011). 557 pp. €60.00.

Published online by Cambridge University Press:  19 December 2014

Antonio Cascelli
Antonio Cascelli*
Affiliation:
National University of Ireland, [email protected]
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Abstract

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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 11 , Issue 2 , December 2014 , pp. 327 - 331
Copyright
Copyright © Cambridge University Press 2014 

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References

1 Samson, Jim, ed., The Cambridge Companion to Chopin (Cambridge: Cambridge University Press, 1998): 1–8 Google Scholar.

2 Kallberg, Jeffrey, Chopin at the Boundaries: Sex, History, and Musical Genre (Cambridge, MA: Harvard University Press, 1996)Google Scholar: ix.

3 Benedetto Croce, ‘Krytika sztuki a historia sztuki’ [Art criticism and art history], in Zarys estetyki [Preliminary notes on aesthetics], trans. and ed. Stanisław Gniadek, introduction by Zygmunt Czerny (Warsaw: Panstwowe Wydaw Naukowe, 1961).

4 Asafyev, Boris Vladimirovich, Shopen: opït kharakeristiki (Petrograd, 1922)Google Scholar.

5 Translations of these French quotations are my own.

6 Samson, , The Cambridge Companion to Chopin, 8Google Scholar.