Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-04T19:29:47.849Z Has data issue: false hasContentIssue false

Clark Suzannah, Analyzing Schubert (Cambridge: Cambridge University Press, 2011). x+290 pp. £60.00.

Published online by Cambridge University Press:  17 June 2013

Xavier Hascher*
Affiliation:
Université de [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Robert Schumann, Schumann on Music: A Selection from the Writings, trans. and ed. Henry Pleasants (New York: Dover, 1988), p. 169Google Scholar

2 Denny, Thomas, ‘Directional Tonality in Schubert's Lieder’, in Franz Schubert-Der Forschrittliche? Analysen–Perspektiven–Fakten, ed. Erich Wolfgang Partsch (Tutzing: Hans Schneider, 1989)Google Scholar

Siciliano, Michael, ‘Two Neo-Riemannian Analyses’, College Music Symposium 45 (2005), 41–107Google Scholar

Krebs, Harald, ‘Alternatives to Monotonality’, Journal of Music Theory 25 (1981), 1–16Google Scholar

3 I use the translation given by John Reed in The Schubert Song Companion (Manchester: Mandolin, 1997), 409.

4 Rings, Steven, Tonality & Transformation (New York: Oxford University Press, 2010)Google Scholar