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Russell Stinson, Bach's Legacy: The Music as Heard by Later Masters (New York: Oxford University Press, 2020). 177 pp. £22.99
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Russell Stinson, Bach's Legacy: The Music as Heard by Later Masters (New York: Oxford University Press, 2020). 177 pp. £22.99
Published online by Cambridge University Press: 16 September 2022
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References
1 Hentschel, Frank, ‘Einleitung’, in Historische Musikwissenschaft: Gegenstand – Geschichte – Methodik, ed. Hentschel (Laaber: Laaber-Verlag, 2019): 9–17, here 15Google Scholar.
2 One notable exception is Michele Calella and Benedikt Lessmann with Engel, Cora, eds, Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik (Vienna: Hollitzer, 2020)Google Scholar.
3 Jauss, Hans Robert, ‘Literaturgeschichte als Provokation der Literaturwissenschaft’, in Literaturgeschichte als Provokation (Frankfurt am Main: Suhrkamp, 1970): 144–207Google Scholar.
4 Michele Calella, ‘Musikhistorische Rezeptionsforschung jenseits der Rezeptionstheorien’, in Calella and Lessmann, eds, Zwischen Transfer und Transformation, 11–27, here 22.
5 See, for example, Rowland, Christopher, Mason, Emma, Roberts, Jonathan and Lieb, Michael, eds, The Oxford Handbook of the Reception History of the Bible (Oxford: Oxford University Press, 2011)Google Scholar; England, Emma and Lyons, William John, eds, Reception History and Biblical Studies: Theory and Practice (London: Bloomsbury T&T Clark, 2015)Google Scholar; and the ongoing series of Wiley Blackwell Bible Commentaries, ed. John Sawyer et al. (Oxford: Wiley Blackwell, 2005–).
6 On which see Emma England, ‘Digital Humanities and Reception History; or the Joys and Horrors of Databases’, in Reception History and Biblical Studies, ed. England and Lyons, 169–84.
7 Blume, Friedrich, Johann Sebastian Bach im Wandel der Geschichte (Kassel: Bärenreiter, 1947)Google Scholar, trans. by as, Stanley Goodman Two Centuries of Bach: An Account of Changing Taste (London: Oxford University Press, 1950): 71Google Scholar.
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9 Stinson, Russell, The Reception of Bach's Organ Works from Mendelssohn to Brahms (New York: Oxford University Press, 2006): 118 and 120CrossRefGoogle Scholar.
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