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Paul Watt, The Regulation and Reform of Music Criticism in Nineteenth-Century England, RMA Monographs 31, gen. ed. Simon Keefe (Abingdon: Routledge, 2018). xi + 132 pp. £110.00; $140.00.

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Paul Watt, The Regulation and Reform of Music Criticism in Nineteenth-Century England, RMA Monographs 31, gen. ed. Simon Keefe (Abingdon: Routledge, 2018). xi + 132 pp. £110.00; $140.00.

Published online by Cambridge University Press:  09 October 2019

Eric Saylor*
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Abstract

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Book Reviews
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Copyright © Cambridge University Press 2019

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References

1 Stephen, Leslie, ‘Thoughts on Critics, by a Critic’, Cornhill Magazine 34/203 (November 1876): 556Google Scholar; quoted in Watt, The Regulation and Reform of Music Criticism, 15.

2 Essays in Musical Criticism’, Musical Times 37/635 (January 1896): 16–17; 37/636Google Scholar (February 1896): 87–8; 37/368 (April 1896): 232.

3 Watt, Paul, Ernest Newman: A Critical Biography (Woodbridge: Boydell & Brewer, 2017)Google Scholar.

4 Nordau, Max, Degeneration, trans. from the German 2nd ed., with an introduction by Mosse, George L. (Lincoln: University of Nebraska Press, 1968), 194Google Scholar.

5 Maine, Basil, ‘Personalities Among Music Critics I: A. H. Fox Strangways’, Musical Times 67/996 (February 1926): 119–20CrossRefGoogle Scholar; ‘II. M. D. Calvocoressi’, 67/997 (March 1926): 216–17; ‘III. Edward Dent’, 67/998 (April 1926): 307–8; ‘IV. Francis Toye’, 67/999 (May 1926), 402–3; ‘V. Richard Capell’, 67/1000 (June 1926): 506–7; ‘VI. Robin Legge’, 67/1001 (July 1926): 597–8; ‘VII. Alfred Kalisch’, 67/1002 (August 1926): 694–5; VIII. W. J. Turner’, 67/1003 (September 1926): 788–9; ‘IX. Ernest Newman’, 68/1007 (January 1927): 27–8; ‘X. Edwin Evans’, 68/1008 (February 1927): 122–3; ‘XI. H. C. Colles’, 68/1009 (March 1927): 219–20; and ‘XII. F. Bonavia’, 68/1010 (April 1927): 317–18.