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Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (Urbana, Chicago, and Springfield: University of Illinois Press, 2015). xviii + 310 pp. $55.00.

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Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (Urbana, Chicago, and Springfield: University of Illinois Press, 2015). xviii + 310 pp. $55.00.

Published online by Cambridge University Press:  05 December 2016

Nancy November
Nancy November*
Affiliation:
The University of [email protected]
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Abstract

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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 14 , Issue 2 , August 2017 , pp. 249 - 253
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Copyright
© Cambridge University Press 2016 

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References

1 Notley, Margaret, ‘Late Nineteenth-Century Chamber Music and the Cult of the Classical Adagio’, 19th-Century Music 23 (1999): 34 CrossRefGoogle Scholar.

2 Helm, Theodore, Beethoven’s Streichquartette. Versuch einer technischen Analyse dieser Werke im Zusammenhange mit ihrem geistigen Gehalt (Leipzig: Fritzsch, 1885)Google Scholar.

3 Helm, Beethoven’s Streichquartette, p. 117.